跨文化记忆与慰安妇摄影项目

IF 0.5 1区 历史学 Q1 HISTORY
Katharine McGregor, V. Mackie
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引用次数: 3

摘要

摘要:2008年和2009年,荷兰摄影师扬·班宁(Jan Banning)和人类学家希尔德·杨森(Hilde Janssen)走遍印度尼西亚,用照片和证词记录了在日本占领前荷兰殖民地荷属东印度群岛(1942年至1945年)期间遭受日军军事化性侵犯的幸存者。我们认为,最终的摄影项目可以在“同情的政治”和相关的表现类型的框架内得到最好的理解。这个项目的创造者期望全世界的观众都能被感动,采取行动来支持幸存者。然而,由于该项目在不同的地点展出,妇女的记忆通过当地的知识系统和记忆练习来解释。我们分析了这些照片在不同地方背景下的接受情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transcultural Memory and the Troostmeisjes/Comfort Women Photographic Project
Abstract:In 2008 and 2009, a Dutch photographer, Jan Banning, and an anthropologist, Hilde Janssen, traveled around Indonesia to document, with photographs and testimonies, survivors of militarized sexual abuse by the Japanese military during the three-year occupation (1942–1945) of the former Dutch colony, the Netherlands East Indies. We argue that the resultant photographic project can best be understood within the framework of the "politics of pity" and the associated genres of representation. The project creators anticipated a cosmopolitan audience that might be moved to action to support the survivors. Yet, as the project was exhibited in different sites, the women's memories were interpreted through local knowledge systems and mnemonic practices. We analyze the reception of these photographs in diverse local contexts.
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来源期刊
History & Memory
History & Memory HISTORY-
CiteScore
1.10
自引率
11.10%
发文量
1
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