{"title":"“焦虑叙事”与隐藏本体论:“保守正统”的反疫苗抗议及其文化语境","authors":"","doi":"10.58186/2782-3660-2022-2-3-106-125","DOIUrl":null,"url":null,"abstract":"Protests against efforts toward coronavirus vaccination in 2020 and 2021 received significant support among Russian Orthodox “conservatives” or “fundamentalists” who consider vaccination to be a “chipping” that subordinates a person to hostile forces in preparation for the reign of the antichrist. The article examines the features of the conspiracy eschatology of modern Orthodox conservatives based on specific forms of ontology, aesthetics and social imagination. Abbot Roman Zagrebnev’s collected essays Deeds of Light and Deeds of Darkness (2016) and a number of other sources are used as empirical material for the analysis of these forms. The loss of a person’s individual agency as well as pollution, understood both in the moral and physiological sense, play a particular role in the social concept of conservative Orthodox. Each of these issues are discussed and represented with the help of bodily images and metaphors. The article attempts to see the meaning of conservative Orthodoxy not only through the prism of political ideals, social crises, and eschatological mythopoetics, but also through the connection of this particular type apocalyptic imagination of this kind and ideological holism as a crypto-ontology. The ‘holistic principle’ implies mutual conditionality and constant connection of physiological, moral and social categories and phenomena. This operates within concepts of an “expanded body” as an entity that is exposed to constant risks of pollution and loss of autonomy. In this context, the fear of vaccination, understood as both a form of physiological desecration and a means of social control, turns out to be a natural continuation of a broader ideological or ontological program that opposes the reductionist and discrete ideas about the world characteristic of late modern Western culture.","PeriodicalId":41258,"journal":{"name":"Versus-Quaderni di Studi Semiotici","volume":"22 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Narratives of Anxiety” and Hidden Ontologies: Anti-vaccination Protest in “Conservative Orthodoxy” and Its Cultural Context\",\"authors\":\"\",\"doi\":\"10.58186/2782-3660-2022-2-3-106-125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Protests against efforts toward coronavirus vaccination in 2020 and 2021 received significant support among Russian Orthodox “conservatives” or “fundamentalists” who consider vaccination to be a “chipping” that subordinates a person to hostile forces in preparation for the reign of the antichrist. The article examines the features of the conspiracy eschatology of modern Orthodox conservatives based on specific forms of ontology, aesthetics and social imagination. Abbot Roman Zagrebnev’s collected essays Deeds of Light and Deeds of Darkness (2016) and a number of other sources are used as empirical material for the analysis of these forms. The loss of a person’s individual agency as well as pollution, understood both in the moral and physiological sense, play a particular role in the social concept of conservative Orthodox. Each of these issues are discussed and represented with the help of bodily images and metaphors. The article attempts to see the meaning of conservative Orthodoxy not only through the prism of political ideals, social crises, and eschatological mythopoetics, but also through the connection of this particular type apocalyptic imagination of this kind and ideological holism as a crypto-ontology. 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引用次数: 0
摘要
反对在2020年和2021年接种新冠病毒疫苗的抗议活动得到了俄罗斯东正教“保守派”或“原教旨主义者”的大力支持,他们认为接种疫苗是一种“筹码”,让一个人屈从于敌对势力,为敌基督的统治做准备。本文从本体论、美学和社会想象的具体形式出发,考察了现代东正教保守派阴谋末世论的特征。Abbot Roman Zagrebnev的文集《光明的行为》和《黑暗的行为》(2016)以及其他一些来源被用作分析这些形式的经验材料。个人能动性的丧失和污染,从道德和生理意义上理解,在保守正统的社会观念中起着特殊的作用。这些问题都是通过身体形象和隐喻来讨论和表现的。本文不仅试图通过政治理想、社会危机和末世神话学的棱镜来审视保守正统的意义,而且还试图通过这种特殊类型的末世想象与作为神秘本体论的意识形态整体主义的联系来审视保守正统的意义。“整体原则”意味着生理、道德和社会范畴和现象的相互制约和持续联系。这是在一个“扩展体”的概念中运作的,作为一个实体,它暴露在不断的污染和丧失自主权的风险中。在这种背景下,对接种疫苗的恐惧,既被理解为生理上的亵渎,又被理解为社会控制的一种手段,结果是一种更广泛的意识形态或本体论程序的自然延续,该程序反对现代西方文化晚期关于世界特征的简化主义和离散思想。
“Narratives of Anxiety” and Hidden Ontologies: Anti-vaccination Protest in “Conservative Orthodoxy” and Its Cultural Context
Protests against efforts toward coronavirus vaccination in 2020 and 2021 received significant support among Russian Orthodox “conservatives” or “fundamentalists” who consider vaccination to be a “chipping” that subordinates a person to hostile forces in preparation for the reign of the antichrist. The article examines the features of the conspiracy eschatology of modern Orthodox conservatives based on specific forms of ontology, aesthetics and social imagination. Abbot Roman Zagrebnev’s collected essays Deeds of Light and Deeds of Darkness (2016) and a number of other sources are used as empirical material for the analysis of these forms. The loss of a person’s individual agency as well as pollution, understood both in the moral and physiological sense, play a particular role in the social concept of conservative Orthodox. Each of these issues are discussed and represented with the help of bodily images and metaphors. The article attempts to see the meaning of conservative Orthodoxy not only through the prism of political ideals, social crises, and eschatological mythopoetics, but also through the connection of this particular type apocalyptic imagination of this kind and ideological holism as a crypto-ontology. The ‘holistic principle’ implies mutual conditionality and constant connection of physiological, moral and social categories and phenomena. This operates within concepts of an “expanded body” as an entity that is exposed to constant risks of pollution and loss of autonomy. In this context, the fear of vaccination, understood as both a form of physiological desecration and a means of social control, turns out to be a natural continuation of a broader ideological or ontological program that opposes the reductionist and discrete ideas about the world characteristic of late modern Western culture.