德里罗的白噪音和pyncho的第49拍品的哭声中的传播和大众传媒

IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH
Odisea Pub Date : 2019-09-30 DOI:10.25115/odisea.v0i19.2158
Ana Belén Pérez García
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引用次数: 0

摘要

《白噪音》和《第49号拍品的哭泣》被认为是影像小说,它们试图揭示大众传媒对现代的影响。这一点在两部小说中都得到了体现,媒介深深地影响了它们的情节发展,以及人物的演变和交流方式。本文从三个主要角度关注这一点:观众在两部作品中与媒体接触的程度,媒体成为唯一信息来源的程度以及这可能产生的后果,以及两部小说中“噪音”,语言或毒品等概念的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
COMMUNICATION AND MASS MEDIA IN DELILLO'S WHITE NOISE AND PYNCHO'S THE CRYING OF LOT 49
White Noise and The Crying of Lot 49 are considered Image Fiction novels, works that try to make visible the influence that mass media had on modern era. This is exemplified in both novels, as media deeply affect their plot’s development as well as the characters’ evolution and ways of communicating. This essay focuses on this from three main points of view: the extent to which the audience engages with the media in both works, the extent to which media become the only source of information and the consequences this may have, and the importance of concepts such as “noise,” language or drugs in both novels.
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