救世主与幸存者:新媒体中的虚拟来世

IF 0.1 0 FILM, RADIO, TELEVISION
J. Shandler
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引用次数: 1

摘要

摘要:最近由Lubavitcher (Habad) Hasidim和Shoah基金会(南加州大学)制作的两个新媒体实践案例,分别利用技术来报道受人尊敬的人物:拉比Menachem Mendel Schneerson(第七代Lubavitcher Rebbe)和大屠杀幸存者。在这两种情况下,这些人的死亡被理解为对他们的信徒对后代的承诺的连续性构成了艰巨的挑战。新技术的出现——包括视频、互联网、交互式全息术和虚拟现实——努力模拟与死者的“现场”接触。这些努力创造了新的文化实践,这些文化实践依赖于他们的主体同时在场和缺席的矛盾状态。这些新媒体的实践对犹太文化有着明显的影响,因为他们正在努力解决对连续性的关注,记住过去,并展望一个转变的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Savior and the Survivor: Virtual Afterlives in New Media
ABSTRACT:Two recent cases of new media practices, produced by Lubavitcher (Habad) Hasidim and the Shoah Foundation (University of Southern California), make provocative use of technologies to address the passing of revered figures: Rabbi Menachem Mendel Schneerson (the seventh Lubavitcher Rebbe) and Holocaust survivors, respectively. In both instances, the deaths of these people are understood to pose daunting challenges to the continuity of their devotees' commitment to future generations. The turn to new technologies—including video, the Inter-net, interactive holography, and virtual reality—strives to simulate "live" contact with the deceased. These endeavors create new cultural practices that rely on the ambivalent status of their subjects as simultaneously present and absent. These new media practices have telling implications for Jewish cultures as they grapple with concerns for continuity, remembering the past, and envisioning a transformed future.
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来源期刊
CiteScore
0.50
自引率
0.00%
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0
期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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