70kv高功率速调管和回旋管轨隙保护系统10焦耳烧线试验结果

IF 0.3 1区 艺术学 0 MUSIC
Y. Srinivas, M. Kushwah, S. Kulkarni, K. Sathyanarayana, P. Khilar, B. Pal, P. Shah, A. Makwana, B. Kadia, K. Parmar, S. Dani, R. Singh, K. Parmar, D. Bora
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引用次数: 15

摘要

脉冲和连续高功率微波管需要对管内电弧故障进行保护。如果在电弧故障中倾倒的能量超过了管的临界弹坑能量,就会造成不可修复的损伤。通常用于新系统的现代开关模式电源(SMPS)存储的能量很少,并且能够在几微秒内切换高压。所以他们不需要单独的保护。然而,当常规电源供给大功率微波管时,必须采用可靠的撬棍保护系统,单独测试以限制能量,以保证管的安全。两台速调管TH2103D的初步测试和调试已经在我所进行。这些速调管中的每一个都能够在3.7 GHz下提供500 kW的功率,用于稳态超导托卡马克-1 (SST-1)的无感低混合电流驱动(LHCD)。在Aditya托卡马克上进行击穿和电子回旋加速器共振加热(ECRH)实验的回旋加速器VGA8000A19也进行了调试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Results of 10-Joule wire-burn test performed on 70 kV rail-gap crowbar protection system for high power klystrons and gyrotron
Pulsed and continuous high power microwave tubes need to be protected against arc faults within the tube. If the energy dumped in such arc fault is more than the critical crater energy of the tube, irreparable damage can occur. Modern switch mode powers supplies (SMPS) that are generally opted for the new systems store little energy and are capable of switching HV in few microseconds. So they do not need separate protection. However, when conventional power supplies feed high power microwave tubes a reliable crowbar protection system, tested separately to limit the energy, must be used to assure the tube safety. Initial testing and commissioning of two klystrons, TH2103D have been carried out at our Institute. Each of these klystrons is capable of delivering 500 kW at 3.7 GHz, to be used for non-inductive lower hybrid current drive (LHCD) In the Steady-State Superconducting Tokamak-1 (SST-1). Commissioning of the gyrotron VGA8000A19, for breakdown and electron cyclotron resonant heating (ECRH) experiments on Aditya tokamak, has also been carried out.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
11
期刊介绍: 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.
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