“熄灭的字母”问题和手稿上化学试剂的使用(1551-1553)

Giacomo Cardinali
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引用次数: 1

摘要

对未知资料的研究表明,在15世纪末和16世纪初,意大利普遍意识到时间的流逝对书籍和手稿造成的损害。用来描述这种情况的表达是letter svanite或caduche,这表明字迹已经褪色,几乎无法辨认,因此很难转录,这表明手稿需要保存以免进一步损坏。早在1550年到1552年之间,在罗马和威尼斯,罗马教廷的一些神职人员就试图用富含单宁的植物蒸馏液来给古代文字增色。在两种情况下,有可能识别用这种方法处理的手稿,并确定保存公式以及对方法的每个步骤的准确描述。这个过程,现在被重新发现,预示着18世纪圣莫尔的本笃会修女和其他技术的化学实验,以及它们的基本化学原理,即单宁的应用。然而,矛盾的是,早期的技术比两个世纪后应用的技术要复杂得多。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The problem of ‘Extinguished letters’ and the use of chemical reagents on manuscripts (1551–1553)
The examination of unknown sources reveals that by the end of the fifteenth and the beginning of the sixteenth century, there was a widespread awareness in Italy of the damage produced by the passing of time on books and manuscripts. The expression used to describe such cases was lettere svanite or caduche, which indicated that the writing had faded and was almost unreadable, and, as such, hard to transcribe, indicating that the manuscript needed to be preserved from further damage. Already between 1550 and 1552, in Rome and Venice, some ecclesiastics of the Roman Curia attempted to brighten ancient writing, using vegetable distillate high in tannin. In two cases, it is possible to identify manuscripts processed with this method and to determine the preservation formula as well as an accurate description of each step of the method. The process, now brought back to light, anticipates the chemical experimentations by the Benedictines of St Maur and other techniques, widespread in the eighteenth century, and their basic chemical principle, namely the application of tannin. However, the earlier technique is paradoxically much more complicated than the one applied two centuries later.
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