{"title":"作为民族志实践的绘画:作为民族志方法的绘画。AndrewCausey。多伦多:多伦多大学出版社,2017。漫画。LyndaBarry。蒙特利尔:绘制和季度,2019年。","authors":"J. Spray","doi":"10.1111/var.12250","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":51921,"journal":{"name":"Visual Anthropology Review","volume":"8 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Drawing as Ethnographic PracticeDrawn to See: Drawing as an Ethnographic Method. By AndrewCausey. Toronto: University of Toronto Press, 2017.Making Comics.By LyndaBarry. Montreal: Drawn and Quarterly, 2019.\",\"authors\":\"J. Spray\",\"doi\":\"10.1111/var.12250\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":51921,\"journal\":{\"name\":\"Visual Anthropology Review\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Anthropology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1111/var.12250\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Anthropology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1111/var.12250","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Drawing as Ethnographic PracticeDrawn to See: Drawing as an Ethnographic Method. By AndrewCausey. Toronto: University of Toronto Press, 2017.Making Comics.By LyndaBarry. Montreal: Drawn and Quarterly, 2019.