“来自”拉丁美洲的表现主义:前因和新的史学建议

IF 0.2 N/A ART
Maria Frick
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引用次数: 0

摘要

考虑到表现主义作为一种国际范围的文化现象,我们呈现了其在拉丁美洲的历史研究方法的里程碑。回顾了思想的不同阶段,描述了一些最重要的代表的建议,并强调了时间轴概念的概念变化,艺术话语的物质性及其与产生它们的空间和文化背景的关系。特别是,我们确定了从20世纪初到当前“同时前卫”概念的概念所提供的可能性,这使得他们在现代性和后现代性中都具有生产活性。这一贡献旨在使拉丁美洲对跨国表现主义的贡献可见,并恢复被排除在辩论之外的作品,将其主角置于国际欣赏和认可的场景中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Expressionism 'From' Latin America: Antecedents and New Historiographic Proposals
Considering expressionism as a cultural phenomenon of international scope, we present the milestones in its historiographic approach in Latin America. The different stages of thought are reviewed, describing the proposals of some of its most significant representatives and emphasizing the conceptual changes in terms of the conception of temporal axes, the materiality of artistic discourses and their relationship with the spaces and cultural contexts in which they are produced. In particular, we identify the possibilities offered by conceptual proposals from the beginning of the twentieth century to the current notion of «simultaneous vanguards», which enables their productive activation in both modernity and postmodernity. This contribution seeks to make the Latin American contribution to transnational expressionism visible and to recover the productions that have been excluded from the debates, placing their protagonists in a scenario of international appreciation and recognition.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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