非殖民化和去父权化的研究文化:与拉丁美洲跨国妇女视听研究网络RAMA的对话

IF 0.5 0 FILM, RADIO, TELEVISION
Isabel Seguí, Marina Cavalcanti Tedesco, Natalia Christofoletti Barrenha, D. Shaw
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引用次数: 0

摘要

会议小组允许与小组成员和观众进行自由流畅的对话。他们通过与人一起思考而产生的见解,可以为讨论带来互补的知识。然而,这些交流也可能是短暂的,当我们参与下一篇论文或小组讨论时,想法就会消失。2022年9月,马德里卡洛斯三世大学将举办“伊比利亚-美洲的女性与电影:政治、历史、表现、交叉性”会议,我们将在这篇关于女性与电影的专题文章中寻找对辩论的持久贡献。我们一致认为,我们小组的主题和讨论具有广泛的兴趣,并为希望采用非殖民化女权主义方法的学者提供了思考的食粮。我们讨论的主题包括,如何在女性电影和录像中进行档案研究,以及如何将档案“去父权化”,并使其民主化,这是在档案研究中提供女权主义视角的基础;如何挑战西方以男性为中心的范式和经常抹杀女性对电影文化贡献的导演主义观点;以及如何挑战否定女性创造者声音的认识论障碍。此外,小组为一位来自巴西的研究人员介绍了欧洲中心主义的第一手视角和欧洲学术界的经验,并讨论了一个非殖民化的女权主义电影策展人/程序员如何成为一个打开大门的人,而不是一个守门人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Decolonising and depatriarchalising research cultures: a conversation with RAMA, the transnational Latin American women’s audiovisual research network
ABSTRACT Conference panels allow for free-flowing conversation with panellists and the audience. They lead to insights that come through thinking together with people that can bring complementary knowledge to the discussion. Yet these exchanges can also be ephemeral with ideas evaporating as we engage with the next paper or panel discussion. We address this in a search for a lasting contribution to debates in this write up of a panel on women and cinema, for the conference ‘Women and Cinema in Ibero-America: Politics, Histories, Representations, Intersectionality’, at the Universidad Carlos III de Madrid in September 2022. We agreed that the topics and the discussion at our panel were of broad interest and provide food for thought for academics wanting to adopt a decolonial feminist approach. Topics that we discussed included, how to approach archival research in women’s film and video, and how to ‘depatriarchalise’ the archives, and democratise access to them, as fundamental to offering a feminist perspective in archival research; how to challenge a Western androcentric paradigm and auteurist perspectives that too often erase women’s contribution to film cultures; and, how to challenge epistemological barriers that deny women creators voices. In addition, the panel presented a first-hand perspective of eurocentrism and the experience of European academia for a researcher from Brazil and discuss how a decolonial feminist film curator/programmer can be a gate-opener rather than a gate-keeper.
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来源期刊
Transnational Screens
Transnational Screens Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
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23
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