《变形与乐器分类》

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-07-03 DOI:10.1080/01411896.2021.1949307

Deirdre Loughridge

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引用次数: 0

摘要

这是1740年。最近受到法国贵族青睐的小提琴，在提琴获得青睐的同时，却逐渐失去了青睐者。作为一名小提琴爱好者，您希望为继续培养和欣赏小提琴演奏做出有说服力的论点。你是如何证明的?最明显的策略是诉诸于经常被引用的巅峰音乐性的象征:声音。在1636年出版的《宇宙和谐》一书中，马林·梅森将小提琴与人声进行了对比，发现:

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Metamorphosis and the Taxonomy of Musical Instruments

It’s the year 1740. The viol, recently favored instrument of the French aristocracy, has been losing admirers while the violin has been gaining them. As a viol enthusiast, you wish to make a persuasive argument for the continued cultivation and appreciation for viol playing. How do you make the case? The most obvious strategy would be to appeal to that oft-cited emblem of peak musicality: the voice. Marin Mersenne measured the viol against the voice in his Harmonie universelle (1636), finding favorably:

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.