{"title":"吉尔·莫兰内斯“老”和大师希拉里奥:萨拉戈萨diputacion del Reino de aragon宫殿教堂的祭坛和格栅(1500-1514)","authors":"Santos M. Mateos Rusillo","doi":"10.3989/AEARTE.2021.13","DOIUrl":null,"url":null,"abstract":"The palace of the Diputacion del General of the Kingdom of Aragon was one of the most important buildings in Zaragoza in the 15th and 16th centuries. Containing a private chapel for its deputies and officials, important artists such as the sculptor Gil Morlanes “the Elder”, the iron-worker Master Hilario and the painters Anton de Aniano and Pedro de Aponte were commissioned to create its artistic endowment from 1500 onwards, something that would make it one of the most magnificent showcases of the figurative arts in the Crown of Aragon in the early 16th century. The work of all of them is present in the making of the grille and the altarpiece. New documentary information is supplied about both works and the historical patrimony of the building until its disappearance in the 19th century.","PeriodicalId":44318,"journal":{"name":"ARCHIVO ESPANOL DE ARTE","volume":"50 1","pages":"215-232"},"PeriodicalIF":0.1000,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gil Morlanes “El Viejo” y Maestro Hilario: un retablo y una reja para la capilla del Palacio de la Diputación del Reino de Aragón en Zaragoza (1500-1514)\",\"authors\":\"Santos M. Mateos Rusillo\",\"doi\":\"10.3989/AEARTE.2021.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The palace of the Diputacion del General of the Kingdom of Aragon was one of the most important buildings in Zaragoza in the 15th and 16th centuries. Containing a private chapel for its deputies and officials, important artists such as the sculptor Gil Morlanes “the Elder”, the iron-worker Master Hilario and the painters Anton de Aniano and Pedro de Aponte were commissioned to create its artistic endowment from 1500 onwards, something that would make it one of the most magnificent showcases of the figurative arts in the Crown of Aragon in the early 16th century. The work of all of them is present in the making of the grille and the altarpiece. New documentary information is supplied about both works and the historical patrimony of the building until its disappearance in the 19th century.\",\"PeriodicalId\":44318,\"journal\":{\"name\":\"ARCHIVO ESPANOL DE ARTE\",\"volume\":\"50 1\",\"pages\":\"215-232\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVO ESPANOL DE ARTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/AEARTE.2021.13\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVO ESPANOL DE ARTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AEARTE.2021.13","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
阿拉贡王国总督府是15、16世纪萨拉戈萨最重要的建筑之一。从1500年起,重要的艺术家,如雕塑家吉尔·莫兰尼斯(Gil Morlanes)、铁匠大师希拉里奥(Hilario)、画家安东·德·阿尼亚诺(Anton de Aniano)和佩德罗·德·阿蓬特(Pedro de Aponte),被委托为其代表和官员建造了一个私人教堂,这将使其成为16世纪初阿拉贡王冠最宏伟的具象艺术展示之一。他们所有人的工作都体现在格栅和祭坛的制作上。新的文献资料提供了关于作品和建筑的历史遗产,直到它在19世纪消失。
Gil Morlanes “El Viejo” y Maestro Hilario: un retablo y una reja para la capilla del Palacio de la Diputación del Reino de Aragón en Zaragoza (1500-1514)
The palace of the Diputacion del General of the Kingdom of Aragon was one of the most important buildings in Zaragoza in the 15th and 16th centuries. Containing a private chapel for its deputies and officials, important artists such as the sculptor Gil Morlanes “the Elder”, the iron-worker Master Hilario and the painters Anton de Aniano and Pedro de Aponte were commissioned to create its artistic endowment from 1500 onwards, something that would make it one of the most magnificent showcases of the figurative arts in the Crown of Aragon in the early 16th century. The work of all of them is present in the making of the grille and the altarpiece. New documentary information is supplied about both works and the historical patrimony of the building until its disappearance in the 19th century.
期刊介绍:
Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.