残留与未来:Jonathan Rozenkrantz:录像电影

Q2 Arts and Humanities

Disegno Pub Date : 2022-01-01 DOI:10.21096/disegno_2022_1et

Ervin Török

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引用次数: 0

摘要

Jonathan Rozenkrantz的书《影像电影》从一个令人耳目一新的、令人兴奋的角度分析了现在已经过时的视频媒介。这本书主要集中在模拟视频图像的出现在剧院发行的故事片。罗赞克兰茨对视频图像考古学的研究方法，一方面是对本体论唯心主义的拒绝(以安德烈·巴赞和d·n·罗多维克等人的作品为例)，另一方面是拒绝将视频图像简化为纯粹的文本能指。

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Remanences and Futurities : Jonathan Rozenkrantz: Videographic Cinema

Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video images is carefully balanced between the refusal of ontological idealism on the one hand (exemplified by works of André Bazin and D. N. Rodowick, among others), and on the other, the refusal of the reduction of video images to mere textual signifiers.

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来源期刊

Disegno Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

16 weeks