{"title":"玛格丽特·范·戈德维克的拉丁诗歌(1627-1677)","authors":"Aron Ouwerkerk","doi":"10.30986/2021.229","DOIUrl":null,"url":null,"abstract":"This contribution presents the editio princeps of all extant Latin poems written by the Dutch poet Margareta van Godewijck from Dordrecht. In order to increase the accessibility of these hitherto unpublished texts, the edition is preceded by an extensive preparatory analysis of previous biographical sources and accounts of how her poems were received. These will illustrate the need for the present study. There follow an evaluation of her Latin poems with regard to both form and content and a discussion of her Latinity, textual interaction with other Neo-Latin poets, and the literary merits of her work. It is argued that her Latin poetry had a clear social and performative function and can best be considered within the context of student composition. Finally, an account of the trajectories of the two surviving autographs and an explanation of the editorial principles prepare the reader for the critical edition.","PeriodicalId":52918,"journal":{"name":"Humanistica Lovaniensia","volume":"78 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Latin Poems of Margareta van Godewijck (1627-1677)\",\"authors\":\"Aron Ouwerkerk\",\"doi\":\"10.30986/2021.229\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This contribution presents the editio princeps of all extant Latin poems written by the Dutch poet Margareta van Godewijck from Dordrecht. In order to increase the accessibility of these hitherto unpublished texts, the edition is preceded by an extensive preparatory analysis of previous biographical sources and accounts of how her poems were received. These will illustrate the need for the present study. There follow an evaluation of her Latin poems with regard to both form and content and a discussion of her Latinity, textual interaction with other Neo-Latin poets, and the literary merits of her work. It is argued that her Latin poetry had a clear social and performative function and can best be considered within the context of student composition. Finally, an account of the trajectories of the two surviving autographs and an explanation of the editorial principles prepare the reader for the critical edition.\",\"PeriodicalId\":52918,\"journal\":{\"name\":\"Humanistica Lovaniensia\",\"volume\":\"78 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Humanistica Lovaniensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30986/2021.229\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanistica Lovaniensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30986/2021.229","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
这个贡献展示了所有现存的拉丁诗歌的编辑原则,这些诗歌是由来自多德雷赫特的荷兰诗人Margareta van Godewijck写的。为了增加这些迄今未发表的文本的可访问性,该版本之前对以前的传记来源和对她的诗歌如何被接受的描述进行了广泛的准备分析。这些将说明本研究的必要性。接下来是对她的拉丁诗歌的形式和内容的评价,并讨论了她的拉丁性,与其他新拉丁诗人的文本互动,以及她的作品的文学价值。有人认为,她的拉丁诗歌具有明确的社会和表演功能,最好放在学生作文的背景下考虑。最后,对两个幸存的签名的轨迹的说明和编辑原则的解释准备读者的批评版。
The Latin Poems of Margareta van Godewijck (1627-1677)
This contribution presents the editio princeps of all extant Latin poems written by the Dutch poet Margareta van Godewijck from Dordrecht. In order to increase the accessibility of these hitherto unpublished texts, the edition is preceded by an extensive preparatory analysis of previous biographical sources and accounts of how her poems were received. These will illustrate the need for the present study. There follow an evaluation of her Latin poems with regard to both form and content and a discussion of her Latinity, textual interaction with other Neo-Latin poets, and the literary merits of her work. It is argued that her Latin poetry had a clear social and performative function and can best be considered within the context of student composition. Finally, an account of the trajectories of the two surviving autographs and an explanation of the editorial principles prepare the reader for the critical edition.