(重新)表演舞台设计:约瑟夫·斯沃博达作为导师

Q2 Arts and Humanities
Sofia Pantouvaki
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引用次数: 0

摘要

本文介绍的文件是1997年布拉格戏剧学院舞台设计系为来自中央圣马丁艺术与设计学院(伦敦,英国)和乌得勒支艺术大学(荷兰)的欧洲舞台艺术硕士国际交换生开设的课程的一部分。它基于Josef Svoboda于1997年1月15日和1月22日在DAMU发表的两次演讲,为早期职业设计师提供了一个难得的机会,可以与他详细讨论场景设计和背景。讲座提供了流畅的叙述,作为演示和分享Svoboda的设计经验;其中包括设计师亲自呈现的场景作品,并附有详细的描述和技术解决方案。本文件是经过编辑的讲座节选,并附有编辑评论。讨论的内容不仅生动地记录了斯沃博达的个人轨迹,而且还记录了20世纪舞台技术和国际范围内的合作。鉴于Josef Svoboda的教学参与很少被讨论,本文件旨在通过揭示这位伟大设计师不为人知的一面,为Svoboda的遗产做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Re)performing scenography: Josef Svoboda as a tutor
ABSTRACT The document presented here was part of the curriculum offered in 1997 by the Department of Stage Design of the Theatre Faculty (DAMU) in Prague to the international exchange students from the Master of Arts in European Scenography at Central Saint Martins College of Art and Design (London, UK) and the University of the Arts in Utrecht (Netherlands). It is based on two lecture-presentations by Josef Svoboda delivered at DAMU on 15 January and 22 January 1997, offering a rare opportunity for early-career designers to discuss scenography in detail and in context with him. The lectures provided a flowing narrative as a presentation and a sharing of Svoboda's design experiences; they included scenographic work presented by the designer himself with detailed descriptions and their technical solutions. This document is an edited selection of excerpts from the lectures accompanied by editorial commentary. The content of the discussion provides not only a vivid document of Svoboda's personal trajectory, but also a historical record of twentieth-century stage technologies and collaboration on an international scale. Given that Josef Svoboda's pedagogical involvement is rarely discussed, this document aims to contribute to Svoboda's legacy by bringing to light this lesser-known side of the great designer.
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来源期刊
Theatre and Performance Design
Theatre and Performance Design Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
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0.00%
发文量
14
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