“[…]只有几个音符的单一节奏[…]”?——约翰·乔治·哈曼与波罗的海地区的宗教接触

Q1 Arts and Humanities
K. Stünkel
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引用次数: 1

摘要

早年当家教时,非正统路德教思想家约翰·乔治·哈曼周游了波罗的海国家。在他自己的作品中,特别是在《唯美》中,他将拉脱维亚农民的民歌解释为一种真实的宗教虔诚的表达,而不受哲学复杂性的影响。作为启蒙思想的激进批评家,哈曼将拉脱维亚农民描绘成宗教上完整的个体,并以其特定的地域为特征。因此,他们不会从大众启蒙运动的支持者(如圣哥达·弗里德里希·斯坦德(1714-1796))所建议的概括中获得任何东西。因此,哈曼假定启蒙意识形态的普遍(隐式)宗教与拉脱维亚农民所体现的个别地方宗教良知之间存在联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"[…] only a single cadence of a few notes […]"?—Johann Georg Hamann’s Religious Contact With the Baltic Region
In his early years as a tutor, unorthodox Lutheran thinker Johann Georg Hamann travelled the Baltic countries. In his own work, in particular in the Aesthetica in nuce, he interpreted the folk songs of the Latvian peasants as an authentic expression of religiosity unspoiled by philosophical sophistication. As a radical critic of enlightenment thought, Hamann portrayed the Latvian peasants as religiously complete individuals characterized by their particular locality. Thus, they would not gain anything by generalisation suggested by proponents of popular enlightenment, such as Gotthard Friedrich Stender (1714–1796). Thus, Hamann posits a contact between universal (crypto-)religion of enlightenment ideology and individually localised religious conscience, exemplified in the Latvian peasant.
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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