{"title":"忏悔之战:中世纪晚期文化的主题——狂欢节与大斋节之争","authors":"N. Cartlidge","doi":"10.1484/J.VIATOR.2.300208","DOIUrl":null,"url":null,"abstract":"This essay is concerned with the ways in which medieval writers and artists depicted the imagined conflict between Carnival and Lent—a metaphorical contrast that, as it happens, has often been appropriated by modern critics writing about the Middle Ages, most notably by Mikhail Bakhtin. Such an appropriation is not entirely unjustified, for it is an idea prominent in medieval culture, and perhaps even more prominent than Bakhtin’s work actually demonstrates. Yet in a critical context the use of this imagery tends towards a rigid reductiveness that is sharply at odds with the richly complex and varied ways in which it appears in late medieval art and literature. In order to illustrate this point and to give an impression of the large field of texts at issue, the article provides a necessarily selective survey that briefly addresses in turn: a pair of letters attached to Guido Faba’s (Latin) Rota Nova; the Old French poem La Bataille de Caresme et de Charnage; some dramatic texts in both French and German; ...","PeriodicalId":39588,"journal":{"name":"Viator - Medieval and Renaissance Studies","volume":"104 1","pages":"517-542"},"PeriodicalIF":0.1000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Battle of Shrovetide: Carnival against Lent as a Leitmotif in Late Medieval Culture\",\"authors\":\"N. Cartlidge\",\"doi\":\"10.1484/J.VIATOR.2.300208\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay is concerned with the ways in which medieval writers and artists depicted the imagined conflict between Carnival and Lent—a metaphorical contrast that, as it happens, has often been appropriated by modern critics writing about the Middle Ages, most notably by Mikhail Bakhtin. Such an appropriation is not entirely unjustified, for it is an idea prominent in medieval culture, and perhaps even more prominent than Bakhtin’s work actually demonstrates. Yet in a critical context the use of this imagery tends towards a rigid reductiveness that is sharply at odds with the richly complex and varied ways in which it appears in late medieval art and literature. In order to illustrate this point and to give an impression of the large field of texts at issue, the article provides a necessarily selective survey that briefly addresses in turn: a pair of letters attached to Guido Faba’s (Latin) Rota Nova; the Old French poem La Bataille de Caresme et de Charnage; some dramatic texts in both French and German; ...\",\"PeriodicalId\":39588,\"journal\":{\"name\":\"Viator - Medieval and Renaissance Studies\",\"volume\":\"104 1\",\"pages\":\"517-542\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2004-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Viator - Medieval and Renaissance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.VIATOR.2.300208\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Viator - Medieval and Renaissance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.VIATOR.2.300208","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 1
摘要
这篇文章关注的是中世纪作家和艺术家描绘狂欢节和大斋节之间想象中的冲突的方式——一种隐喻性的对比,碰巧经常被现代评论家用来描写中世纪,最著名的是米哈伊尔·巴赫金。这样的挪用并非完全没有道理,因为这是中世纪文化中一个突出的观点,甚至可能比巴赫金的作品所展示的更为突出。然而,在一个关键的背景下,这种意象的使用倾向于一种严格的简化,这与它在中世纪晚期艺术和文学中出现的丰富复杂和多样化的方式大相径庭。为了说明这一点,并给人一种印象的文本的大领域的争议,文章提供了一个必要的选择性调查,简要地依次说明:一对信件附于圭多法巴的(拉丁)罗塔新星;古法语诗La Bataille de Caresme et de Charnage;一些法语和德语的戏剧文本;…
The Battle of Shrovetide: Carnival against Lent as a Leitmotif in Late Medieval Culture
This essay is concerned with the ways in which medieval writers and artists depicted the imagined conflict between Carnival and Lent—a metaphorical contrast that, as it happens, has often been appropriated by modern critics writing about the Middle Ages, most notably by Mikhail Bakhtin. Such an appropriation is not entirely unjustified, for it is an idea prominent in medieval culture, and perhaps even more prominent than Bakhtin’s work actually demonstrates. Yet in a critical context the use of this imagery tends towards a rigid reductiveness that is sharply at odds with the richly complex and varied ways in which it appears in late medieval art and literature. In order to illustrate this point and to give an impression of the large field of texts at issue, the article provides a necessarily selective survey that briefly addresses in turn: a pair of letters attached to Guido Faba’s (Latin) Rota Nova; the Old French poem La Bataille de Caresme et de Charnage; some dramatic texts in both French and German; ...