NAGPRA的承认政治:一个被终止部落的遣返斗争

Courtney Cottrell
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引用次数: 1

摘要

摘要:从耶鲁皮博迪博物馆(YPM)向兄弟印第安民族提出的看似简单的咨询请求,演变成一场依赖于联邦承认程序(FAP)和美国原住民坟墓保护与遣返法案(NAGPRA)之间联系的承认政治。磋商的目的是讨论一条有资格处置到兄弟城的管道,这条管道是康涅狄格州莫希干部落根据NAGPRA要求遣返的管道。作为兄弟会的部落历史保护官员(THPO),我负责证实兄弟会和最初由YPM建立的管道之间的历史联系。证实管道与兄弟会的关联只是我们起草处理管道请求计划的第一步。然而,在此过程中,收集到的信息被用于一场政治游戏,即不仅使用联邦标准,还使用两个土著国家各自的部落标准来验证印第安人的身份。本案例研究通过概述收集历史记录以建立从属关系的过程,跟踪了代表联邦不承认的部落提出遣返请求的方法。从广义上讲,本文探讨了代表未被承认的部落请求遣返的不稳定性质,以及机构如何利用部落的被承认地位来努力保持对文化项目的控制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NAGPRA’s Politics of Recognition: Repatriation Struggles of a Terminated Tribe
Abstract:What started as a seemingly straightforward consultation request from the Yale Peabody Museum (YPM) to the Brothertown Indian Nation turned into a politics of recognition that relied on the connection between the Federal Acknowledgment Process (FAP) and the Native American Graves Protection and Repatriation Act (NAGPRA). The consultation was meant to discuss a pipe that qualified for disposition to the Brother-town, the same pipe that was requested for repatriation by the Mohegan Tribe of Connecticut under NAGPRA. As the tribal historic preservation officer (THPO) for the Brothertown, I was charged with corroborating the historical connection between the Brothertown and the pipe that was established initially by the YPM. Corroborating affiliation of the pipe with the Brothertown was only the first step in a plan to draft our own request for disposition of the pipe. However, along the way, the information gathered was being used in a political game of authenticating Indianness using not only federal standards but also the tribal standards of each of the two Native nations involved. This case study tracks the methodology for making repatriation requests on behalf of a federally unrecognized tribe by outlining the process of gathering historical records to establish affiliation. Broadly, this article explores the precarious nature of petitioning for repatriations on behalf of an unrecognized tribe and how institutions exploit the recognition status of tribes in an effort to maintain control over cultural items.
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