超越框架

IF 0.4 Q1 HISTORY
Carolyn Deby
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引用次数: 0

摘要

本文采用书面文本和与读者的艺术视频相遇,将人类的生活经验作为一种空间和时间的关系半景,在个人的内外生活世界或Umwelten之间流动。此外,它还断言,这样的生活世界与非人类和非生命(人类设计的技术、循环和物质,以及行星循环和岩石、天空、空气等物质)之间存在着持续的、动态的关系,这是一种人类可以注意到并从中获得意义的纠缠和移动的情况。这篇文章以作者创作的一篇视频表演论文《静止/我们注意到最小的东西》(Still/We注意到最小的东西)为出发点,最初是在2020年6月向“不羁景观研讨会”(Unruly Landscapes Colloquium)的参与者展示的。文章将断言,沉浸在一个同时体现的和屏幕世界的半景中,其中包括城市与野生环境的纠缠,展示了人类在生物/技术混合情况下适应复杂关系的亲生物能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Moving Beyond the Frame
This article employs both a written text and an artistic video encounter with the reader, to articulate human lived experience as a spatial and temporal semioscape of relations that flow across and between the inner-outer lifeworlds or Umwelten for individuals. Further, it asserts that such lifeworlds are experienced in continual and dynamic relation with nonhumans and non-life (human-devised technologies, circulations, and substances as well as planetary circulations and substances such as rock, sky, air, and so on)—an entangled and mobile situation that humans can notice and derive meaning from. Taking as its starting point a video performance-paper, Still/We noticed smallest things, created by the author, and originally presented to participants of Unruly Landscapes Colloquium in June 2020, the article will assert that immersion in a simultaneously embodied and screen-world semioscape that includes urbanwild entanglements demonstrates the human biophilic ability to attune to complex relations in hybrid bio/techno situations.
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来源期刊
CiteScore
0.70
自引率
33.30%
发文量
0
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