断裂的空间:疑惑、徘徊、混音。

C. Benedict
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引用次数: 2

摘要

这个回应是基于我在哥伦比亚大学师范学院的演讲,庆祝Allsup(2016)的书《重新混合课堂:走向开放的音乐教育哲学》的发行。我带着开放的心态进入文本,并愿意去思考和考虑。因此,我提供了以下考虑事项,以便进一步“深思熟虑”。考虑到这本书的背景,我认为有必要解决这些问题:独立音乐家,以儿童为中心/以学习者为中心,或以建构主义为中心,学习成果,最后是在基础设置中为各种教学参与和目的提供空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spaces of Rupture: Wondering, Wandering, Remixing.
This response is based on my presentation at Teachers College, Columbia University celebrating the launch of Allsup’s (2016) book, Remixing the Classroom: Toward an Open Philosophy of Music Education. I enter the text with openness, and with a willingness to ponder and consider. As such I offer the following considerations for further “thinking through.” These are considerations, given the context of the book, I feel are necessary to address: independent musician, child centered / learner centered, or constructivism writ large, learning outcomes, and finally the space in the elementary setting for the kinds of pedagogical engagements and purpose Allsup outlines throughout his text.
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