Ewa A. Łukaszyk
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摘要

本文对波兰和葡萄牙浪漫主义作了初步的比较。作者以19世纪历史学家约阿希姆·勒勒维尔(Joachim Lelewel)所描绘的欧洲两端著名的相似之处为出发点,声称波兰和葡萄牙文学虽然彼此几乎没有直接接触,但却参与了由欧洲浪漫主义建立的同一文化坐标体系。与此同时,这两个国家都与欧洲发生了某种争端或冲突,产生了自卑的症状,以及对自己道德优越感的狂妄自大。阿尔梅达·加勒特(Almeida Garrett)和亚历山大·赫尔库拉诺(Alexandre Herculano)试图提供一个解决方案,使他们的国家与欧洲环境相协调。结论强调了这种和谐愿景的最大胜利,将当代葡萄牙文化呈现为完全欧洲化,并与当代波兰可能观察到的有关欧洲身份的疑虑形成对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Romantyzm krańców Europy. Portugalia, Polska i Chrystus narodów
This article tentatively provides acomparative outlook on Polish and Portuguese Romanticism. Taking as a starting point the famous parallel between the opposite ends of Europe sketched by the 19th-century historian Joachim Lelewel, the author claims that Polish and Portuguese literature, although they had almost no direct contact with each other, participated in the same system of cultural coordinates established by European Romanticism. At the same time, both nations had some sort of dispute or clash with Europe, developing syndromes of inferiority, as well as megalomaniac visions of their moral superiority. Almeida Garrett and Alexandre Herculano tried to provide a solution, harmonising their country with its European context. The conclusion accentuates the uttermost victory of this harmonising vision, presenting the contemporary Portuguese culture as fully Europeanised and contrasting it with the doubts concerning European identity that may be observed in contemporary Poland.
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