Cecilia Wallerstedt, Cecilia Björck, Annika Bergviken Rensfeldt
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引用次数: 2

摘要

本研究的目的是讨论年轻人组建摇滚/流行乐队的条件。特别是,我们关注主体位置乐队成员是如何构成的,并可以通过后结构性别方法来解决问题。我们的讨论是通过观察影响当代乐队组建和乐队演奏条件的三个社会变化领域来推动的,这三个领域都引用了一种声称“每个人都可以”的话语。首先,今天的摇滚和流行乐队在瑞典通过正规学校教育和音乐教育得到制度性的支持。其次,建议音乐的数字化和基于互联网的资源,使所有人都能学习音乐。第三,平等话语鼓励女孩“要求空间”和“被倾听”,在音乐上也是如此。对这三个领域的变革的讨论得到了瑞典五个13岁女孩在一个乐队里演奏的经验案例的补充。我们的材料包括六场排练和一场公开音乐会的录像和现场笔记,以及社交媒体上的帖子。根据我们的研究结果,我们发现,虽然乐队组建的身体条件在过去几十年里发生了变化,但乐队成员的主体位置仍然受到限制,尤其是受到性别的限制。因此,我们建议乐队成员的主体位置需要重新审视,并且很可能随着乐队组建实践的新条件的形成而重新定义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bandformering och genus på 2010-talet: Förändrade villkor för att spela i band?
The aim of this study is to discuss conditions for young people forming rock/pop bands. In particular, we focus on how the subject position band member is constituted and can be problematized through a poststructural gender approach. Our discussion is driven by an observation of three areas for societal change affecting contemporary conditions for band formation and band playing, which all draw on a discourse claiming that ”everyone can”. Firstly, rock and pop bands today get institutional support through formal schooling and music education in Sweden. Secondly, the digitization of music and internet-based resources available are suggested to make possible musical learning for all. Thirdly, equality discourses encourage girls to ”claim space” and ”be heard”, also musically. The discussion of these three areas for change is complemented empirically by a Swedish case of five 13-year-old girls playing in a band. Our material consists of videorecordings and field notes from six rehearsals and one public concert, and social media postings. Based on our results, we see that while physical conditions for band formation have changed over the past decades, the subject position band member is still conditioned, not the least by gender. Therefore, we suggest that the subject position band member needs to be re-visited and most likely re-defined as new conditions for band formation practices take form.
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