{"title":"戏剧研究怎么了?","authors":"Niels Lehmann","doi":"10.7146/NTS.V30I2.112948","DOIUrl":null,"url":null,"abstract":"In this article, the recent development of theatre studies is outlined in order to suggest a way forward under the heading of “theatre studies 3.0.” A double thesis is defended. Firstly, it is argued that the development of theatre studies is marked by a simultaneous tendency towards pragmatization, theorization, and expansion. Secondly, it is shown that these three strands of development may be seen as reactions to a more fundamental threefold change of the social semantics: a decline of the tradition of edification, an insistence of convergence of the theoretically and the practically oriented programmesof education, and finally a loss of self-evident borders for disciplines. Having suggested what happened to theatre studies and why it happened, the article suggests that we follow a path called “theatre studies 3.0.” based on “an asymmetrical double strategy”.","PeriodicalId":53807,"journal":{"name":"Nordic Theatre Studies","volume":"29 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What Happened to Theatre Studies?\",\"authors\":\"Niels Lehmann\",\"doi\":\"10.7146/NTS.V30I2.112948\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, the recent development of theatre studies is outlined in order to suggest a way forward under the heading of “theatre studies 3.0.” A double thesis is defended. Firstly, it is argued that the development of theatre studies is marked by a simultaneous tendency towards pragmatization, theorization, and expansion. Secondly, it is shown that these three strands of development may be seen as reactions to a more fundamental threefold change of the social semantics: a decline of the tradition of edification, an insistence of convergence of the theoretically and the practically oriented programmesof education, and finally a loss of self-evident borders for disciplines. Having suggested what happened to theatre studies and why it happened, the article suggests that we follow a path called “theatre studies 3.0.” based on “an asymmetrical double strategy”.\",\"PeriodicalId\":53807,\"journal\":{\"name\":\"Nordic Theatre Studies\",\"volume\":\"29 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-03-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nordic Theatre Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/NTS.V30I2.112948\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nordic Theatre Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/NTS.V30I2.112948","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
In this article, the recent development of theatre studies is outlined in order to suggest a way forward under the heading of “theatre studies 3.0.” A double thesis is defended. Firstly, it is argued that the development of theatre studies is marked by a simultaneous tendency towards pragmatization, theorization, and expansion. Secondly, it is shown that these three strands of development may be seen as reactions to a more fundamental threefold change of the social semantics: a decline of the tradition of edification, an insistence of convergence of the theoretically and the practically oriented programmesof education, and finally a loss of self-evident borders for disciplines. Having suggested what happened to theatre studies and why it happened, the article suggests that we follow a path called “theatre studies 3.0.” based on “an asymmetrical double strategy”.