{"title":"《镀金时代:高斯福德公园遇上伊迪丝·华顿的旧纽约","authors":"P. Boswell","doi":"10.5325/editwharrevi.38.1.0050","DOIUrl":null,"url":null,"abstract":"Abstract:For those of us who study and love the works of Edith Wharton, The Gilded Age gives us the pleasure of recognizing her influence in Julian Fellowes’s epic series. From the detailed and exquisite sets and costumes to the story lines, Wharton— and other writers of her time—help guide us through Fellowes’s 1882 New York City in ways that enrich both the series and Wharton’s works, from The House of Mirth, to The Age of Innocence, to The Old Maid, and beyond.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"33 1","pages":"50 - 59"},"PeriodicalIF":0.1000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Gilded Age: Gosford Park Meets Edith Wharton’s Old New York\",\"authors\":\"P. Boswell\",\"doi\":\"10.5325/editwharrevi.38.1.0050\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:For those of us who study and love the works of Edith Wharton, The Gilded Age gives us the pleasure of recognizing her influence in Julian Fellowes’s epic series. From the detailed and exquisite sets and costumes to the story lines, Wharton— and other writers of her time—help guide us through Fellowes’s 1882 New York City in ways that enrich both the series and Wharton’s works, from The House of Mirth, to The Age of Innocence, to The Old Maid, and beyond.\",\"PeriodicalId\":40904,\"journal\":{\"name\":\"Edith Wharton Review\",\"volume\":\"33 1\",\"pages\":\"50 - 59\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Edith Wharton Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/editwharrevi.38.1.0050\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edith Wharton Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/editwharrevi.38.1.0050","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
The Gilded Age: Gosford Park Meets Edith Wharton’s Old New York
Abstract:For those of us who study and love the works of Edith Wharton, The Gilded Age gives us the pleasure of recognizing her influence in Julian Fellowes’s epic series. From the detailed and exquisite sets and costumes to the story lines, Wharton— and other writers of her time—help guide us through Fellowes’s 1882 New York City in ways that enrich both the series and Wharton’s works, from The House of Mirth, to The Age of Innocence, to The Old Maid, and beyond.