超越信仰的信仰:关于时尚波神秘的未来过去

Q3 Arts and Humanities
Krisis Pub Date : 2021-06-15 DOI:10.21827/KRISIS.41.1.37162
M. Tuters
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引用次数: 1

摘要

本文着眼于新右派对本土网络文化的使用。具体来说,它关注的是近年来,新右翼如何利用一种被称为“蒸汽波”的网络美学流派来创造“时尚波”的子流派。就像之前的vapourwave一样,“时尚波”利用了网络文化的想象,对想象中的“赛博朋克”过去的未来充满怀旧之情。但是,尽管前者已经成为专著(Tanner 2016)的主题,但关于后者的文章却很少。在主流流行文化中,这些“浪潮”美学在图像板和网络论坛的“深度本土网络”(de Zeeuw & Tuters 2019)上蓬勃发展。尽管许多时尚波模因看起来微不足道,但本文认为,它们可以被理解为深奥的“传统主义”当代复兴的美学表现。传统主义是一种假设西方文化替代理论的话语,对20世纪的思想家产生了影响。这篇文章认为,时尚浪潮将传统主义对过去辉煌的想象转变为对未来的想象——这是由蒸汽浪潮对男性赛博朋克美学的独特的乡土怀旧所决定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Belief Beyond Belief: On Fashwave’s Esoteric Future Past
This essay looks at the use of vernacular web culture by the new right. Specifically it focuses on how, in recent years, the new right appropriated a genre of web aesthetics known as ‘vapourwave’ to create the sub-genre of ‘fashwave’. Like vapourwave before it, fashwave taps into web cultural imaginary that is nostalgic for an imagined ‘cyberpunk’ past future — but while the former has been the subject of a monograph (Tanner 2016), very little has yet been written on the latter. Largely ignored within mainstream popular culture, these ‘—wave’ aesthetics flourish on the ‘deep vernacular web’ (de Zeeuw & Tuters 2019) of imageboards and web fora. As trivial as many fashwave memes may appear, this paper argues that they can be understood as the aesthetic manifestations of a contemporary renaissance in esoteric “traditionalism” — a discourse that posits an alternative theory of western culture, and which was influential on 20th century ideologues. The essay argues that fashwave transposes traditionalism’s fantasy of imagined past glories into an imagined future — one that is informed by the vapourwave’s distinctly vernacular nostalgia for masculine cyberpunk aesthetics. 
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来源期刊
Krisis
Krisis Social Sciences-Cultural Studies
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
48 weeks
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