假装还是渴望?Johan Huizinga和Frans Kellendonk的游戏和信仰

Q4 Arts and Humanities

Studia Universitatis Babes-Bolyai Theologia Reformata Transylvanica Pub Date : 2022-11-30 DOI:10.21827/tr.65.4.354-370

R.W.N. Kuil

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引用次数: 0

摘要

历史学家和语言学家Johan Huizinga在《人类》(1938)中提出了游戏在人类文化中的功能理论，其中包括对礼拜仪式和游戏之间密切联系的讨论。在20世纪80年代，作家和文化评论家弗兰斯·克伦东克(Frans Kellendonk)提出了在后基督教社会中与信仰有关的真诚假装(“opprecht veinzen”)的概念。本文考察了Huizinga和Kellendonk思想的社会文化背景以及他们对信仰的个人承诺。文章最后考虑了一个问题:在多大程度上真诚地假装可以被认为是渴望的标志?

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Veinzen of verlangen? Spel en geloof bij Johan Huizinga en Frans Kellendonk

Historian and linguist Johan Huizinga’s theory of the function of play in human culture in Homo ludens (1938) includes a discussion of the close link between liturgy and play. In the 1980’s author and cultural critic Frans Kellendonk put forward the notion of sincerelyfeigning (‘oprecht veinzen’) in relation to faith in a post-Christian society. This article examines the socio-cultural background of Huizinga’s and Kellendonk’s ideas and their personal commitment to the faith. It concludes with a consideration of the question: Towhat extent can sincerely feigning be considered a sign of longing?

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来源期刊

Studia Universitatis Babes-Bolyai Theologia Reformata Transylvanica Arts and Humanities-Religious Studies

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