路易丝·厄德里奇的《圆屋》、《威迪古》和《星际迷航:下一代》

Jacob L. Bender, Lydia Maunz-Breese
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引用次数: 6

摘要

摘要:路易丝·厄德里奇的小说《圆屋》自2012年出版以来,其高潮部分就因其对治安维持会暴力的明显理想化而困扰着许多读者。乔·库茨(Joe Coutts)对强奸他母亲的林登·拉克(Linden Lark)的处决,感觉太轻松了,与林登自己的报复性杀戮太相似了。然而,厄德里奇将林登与威迪古的阿尼什纳贝传说以及《星际迷航:下一代》中的虐待狂阿姆斯联系在一起,将这次射击重新定义为一种仪式上的牺牲。因此,我们可以把林登的枪击事件理解为吉拉德所说的“药神”,一个替罪羊,他吸收了更大社区的暴力,并将其人格化,他的死因此有助于缩短暴力,而厄德里奇的后记向我们保证,暴力仍然经常发生在我们当代的印第安人保留地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Louise Erdrich’s The Round House, the Wiindigoo, and Star Trek: The Next Generation
Abstract:Since its publication in 2012, the climax to Louise Erdrich’s novel The Round House has troubled many readers due to its apparent idealization of vigilante violence. Joe Coutts’s execution of Linden Lark, his mother’s rapist, feels too easy, too much of a kind with Linden’s own vengeful killings. However Erdrich’s association of Linden with the Anishinaabe legend of wiindigoo, and Armus—a sadistic creature from Star Trek: The Next Generation—reframes this shooting as a ceremonial sacrifice. We can thereby understand Linden’s shooting as what Girard termed the pharmakos, the scapegoat that absorbs and personifies the violence of the larger community and whose death therefore helps short-circuit the violence that Erdrich’s afterword assures us is still all too frequently perpetrated on our contemporary Native American reservations.
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