南非城市青年对生活在一个有COVID的世界的回应:来自#Slam4urLife的教训

IF 0.9 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Cara Mazetti, Sophie Schmidt, Mignon Hardie, Jacqueline Boulle, S. Parnell
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引用次数: 0

摘要

#Slam4urLife是一项鼓励南非年轻人创造性地应对2019冠状病毒病大流行的社交媒体竞赛,本文利用参赛者提交的诗歌、视觉艺术、歌曲、说唱和素描,通过震惊、损失、生存和行动四种叙事方式,概述了南非城市年轻人对2019冠状病毒病大流行的应对。基于参与式奖学金的实践,它利用学院内外的知识基础和合作,对基于艺术的社交媒体竞赛进行有根据的研究,作为鼓励和扩大青年声音的有效方法。它通过创建数字公共空间来实现这一目标,在这种情况下,年轻人可以在实体公共空间无法做到的情况下实践公民参与。在此过程中,本文从南非的角度对社区研究和非洲城市青年的文献做出了贡献。报告还论证了以艺术为基础的社交媒体竞赛在创造数字公共空间中的重要性,在这些数字空间中,年轻人的声音可以得到鼓励、合法化和放大,因为这些数字空间允许一种公民参与,而这种参与在非洲城市的实体公共空间中并不总是被年轻人所看到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
South African urban youth responses to living in a world with COVID: Lessons from #Slam4urLife
Using poetry, visual art, songs, raps and sketches submitted to #Slam4urLife, a social media competition encouraging young people in South Africa to respond creatively to the COVID-19 pandemic, this article outlines young urban people’s responses to the COVID-19 pandemic in South Africa through four narratives: shock, loss, survival and activism. Resting on practices of engaged scholarship, it draws on knowledge bases and collaborations in and beyond the academy to contribute grounded research on arts-based social media competitions as an effective method for encouraging and amplifying the youth voice. It does this by creating digital public spaces in which young people can practise civic engagement in contexts where this cannot be done in physical public spaces. In doing so, the article contributes to the literature on community-based research and youth in African cities from the perspective of South Africa. It also argues the importance of art-based social media competitions in creating digital public spaces in which the youth voice can be encouraged, legitimised and amplified in so far as these kinds of digital spaces allow for a kind of civic engagement not always seen by young people in the physical public spaces of African cities.
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来源期刊
CiteScore
1.00
自引率
28.60%
发文量
5
审稿时长
34 weeks
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