{"title":"纽约市最具美国特色的东西:美利坚合众国国家剧院的史学","authors":"Jessica Del Vecchio","doi":"10.1162/DRAM_A_00030","DOIUrl":null,"url":null,"abstract":"New York City–based NTUSA uses a census-based creation process to develop vaudevillian spectacles that investigate the construction of local and national histories. Their performances expose tensions between art as a commercial enterprise and a community-building effort, testing the boundary between esoteric avantgarde and purely entertaining, popular performance.","PeriodicalId":85611,"journal":{"name":"TDR news","volume":"1 1","pages":"155-174"},"PeriodicalIF":0.0000,"publicationDate":"2010-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Most American Thing in New York City: The Historiography of the National Theater of the United States of America\",\"authors\":\"Jessica Del Vecchio\",\"doi\":\"10.1162/DRAM_A_00030\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"New York City–based NTUSA uses a census-based creation process to develop vaudevillian spectacles that investigate the construction of local and national histories. Their performances expose tensions between art as a commercial enterprise and a community-building effort, testing the boundary between esoteric avantgarde and purely entertaining, popular performance.\",\"PeriodicalId\":85611,\"journal\":{\"name\":\"TDR news\",\"volume\":\"1 1\",\"pages\":\"155-174\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR news\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/DRAM_A_00030\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR news","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/DRAM_A_00030","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Most American Thing in New York City: The Historiography of the National Theater of the United States of America
New York City–based NTUSA uses a census-based creation process to develop vaudevillian spectacles that investigate the construction of local and national histories. Their performances expose tensions between art as a commercial enterprise and a community-building effort, testing the boundary between esoteric avantgarde and purely entertaining, popular performance.
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