慷慨的笑声:玛丽亚·班福德的喜剧丰富性

Q1 Arts and Humanities
Shannon Herbert
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引用次数: 0

摘要

摘要本文将喜剧演员玛丽亚·班福德的作品置于女权主义和残疾人正义传统之中,在这些传统中,情境叙事是一种反抗和创造世界的形式。通过叙述她在单口喜剧背景下接受自己神经多样性的过程,班福德还挑战了喜剧的超越和超越历史的定义,以及喜剧成功的资本主义概念,为多样化的声音和观点创造了空间。班福德的作品,尤其是2017年的特别作品《老婴儿》,代表了个人和社会工作对充分实现生活的必要和乐趣,而不管诊断状态和厌女症和残疾歧视的持续存在。通过在镜子前开始她的表演,并逐渐扩大观众,老婴儿戏剧性地展示了个人对神经分化的接受如何扩展到更大的家庭/社会背景,从而破坏正常化的话语,耻辱,以及将精神疾病与软弱混为一谈的女性化倾向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Generous Laughs: The Comedic Plentitude of Maria Bamford
Abstract This essay positions the work of comedian Maria Bamford within the feminist and disability-justice traditions in which situated storytelling is a form of resistance and world-making. By narrativizing the process by which she came to terms with her neurodiversity within the context of stand-up comedy, Bamford also challenges transcendent and transhistorical definitions of comedy and capitalist notions of comedic success to make space for a diversity of voices and perspectives. Bamford’s work, particularly the 2017 special Old Baby, represents both the individual and social work necessary for—and the pleasure of—living a fully realized life regardless of both diagnostic status and the persistence of misogyny and ableism. By beginning her performance in front of a mirror and gradually expanding the audience, Old Baby dramatizes how the personal acceptance of neurodivergence can extend fractally to larger familial/social contexts to disrupt normativizing discourses, stigma, and the tendency to feminize mental illness by conflating it with weakness.
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来源期刊
a/b: Auto/Biography Studies
a/b: Auto/Biography Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
发文量
27
期刊介绍: a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.
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