{"title":"慷慨的笑声:玛丽亚·班福德的喜剧丰富性","authors":"Shannon Herbert","doi":"10.1080/08989575.2022.2136824","DOIUrl":null,"url":null,"abstract":"Abstract This essay positions the work of comedian Maria Bamford within the feminist and disability-justice traditions in which situated storytelling is a form of resistance and world-making. By narrativizing the process by which she came to terms with her neurodiversity within the context of stand-up comedy, Bamford also challenges transcendent and transhistorical definitions of comedy and capitalist notions of comedic success to make space for a diversity of voices and perspectives. Bamford’s work, particularly the 2017 special Old Baby, represents both the individual and social work necessary for—and the pleasure of—living a fully realized life regardless of both diagnostic status and the persistence of misogyny and ableism. By beginning her performance in front of a mirror and gradually expanding the audience, Old Baby dramatizes how the personal acceptance of neurodivergence can extend fractally to larger familial/social contexts to disrupt normativizing discourses, stigma, and the tendency to feminize mental illness by conflating it with weakness.","PeriodicalId":37895,"journal":{"name":"a/b: Auto/Biography Studies","volume":"15 Suppl 2 1","pages":"243 - 261"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Generous Laughs: The Comedic Plentitude of Maria Bamford\",\"authors\":\"Shannon Herbert\",\"doi\":\"10.1080/08989575.2022.2136824\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay positions the work of comedian Maria Bamford within the feminist and disability-justice traditions in which situated storytelling is a form of resistance and world-making. By narrativizing the process by which she came to terms with her neurodiversity within the context of stand-up comedy, Bamford also challenges transcendent and transhistorical definitions of comedy and capitalist notions of comedic success to make space for a diversity of voices and perspectives. Bamford’s work, particularly the 2017 special Old Baby, represents both the individual and social work necessary for—and the pleasure of—living a fully realized life regardless of both diagnostic status and the persistence of misogyny and ableism. By beginning her performance in front of a mirror and gradually expanding the audience, Old Baby dramatizes how the personal acceptance of neurodivergence can extend fractally to larger familial/social contexts to disrupt normativizing discourses, stigma, and the tendency to feminize mental illness by conflating it with weakness.\",\"PeriodicalId\":37895,\"journal\":{\"name\":\"a/b: Auto/Biography Studies\",\"volume\":\"15 Suppl 2 1\",\"pages\":\"243 - 261\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"a/b: Auto/Biography Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08989575.2022.2136824\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"a/b: Auto/Biography Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08989575.2022.2136824","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Generous Laughs: The Comedic Plentitude of Maria Bamford
Abstract This essay positions the work of comedian Maria Bamford within the feminist and disability-justice traditions in which situated storytelling is a form of resistance and world-making. By narrativizing the process by which she came to terms with her neurodiversity within the context of stand-up comedy, Bamford also challenges transcendent and transhistorical definitions of comedy and capitalist notions of comedic success to make space for a diversity of voices and perspectives. Bamford’s work, particularly the 2017 special Old Baby, represents both the individual and social work necessary for—and the pleasure of—living a fully realized life regardless of both diagnostic status and the persistence of misogyny and ableism. By beginning her performance in front of a mirror and gradually expanding the audience, Old Baby dramatizes how the personal acceptance of neurodivergence can extend fractally to larger familial/social contexts to disrupt normativizing discourses, stigma, and the tendency to feminize mental illness by conflating it with weakness.
期刊介绍:
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.