IF 0.4 3区 历史学 Q1 HISTORY
R. Honings
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引用次数: 0

摘要

摘要:在荷属东印度文学史研究中,P.A. (Paul) Daum(1850-1898)的创作经历了从殖民作家到反殖民作家的巨大转变。在写作之初,多姆仍然表现出自己是一个彻头彻尾的殖民者,据说随着时间的推移,他开始用非常不同的眼光看待印尼人,最终以更细微的理解来思考和写作他们。这篇文章的重点是印尼人的代表,认为Daum对殖民地土著人民的态度没有这种变化。为此,本文分析了多姆在十年间出版的三部作品:《从糖到烟草》(1884年)、《Goena-goena》(1887年)和《above Bakar》(1894年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Kampong Smells’, Guna-guna and ‘Indigenous Perkaras’
ABSTRACT – In the historiography of the Dutch East Indies literature, the image has arisen of P.A. (Paul) Daum (1850–1898) as an author whose work experienced a striking transformation during his stay in the Indies: from a colonial to an anti-colonial author. Where Daum still showed himself an out-and-out colonial at the start of his authorship, he is said to have started to see the Indonesians with very different eyes over the years and finally to think and write about them with more nuance and understanding. This article, that focuses on the representation of Indonesians, argues that here is no such development to be found in Daum’s attitude towards the indigenous people of the colony. To this end, three works by Daum, published over a ten-year period, are analysed: Uit de suiker in de tabak (From Sugar to Tobacco, 1884), Goena-goena (Guna-guna, 1887) and Aboe Bakar (1894).
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CiteScore
0.90
自引率
20.00%
发文量
6
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