现在就写乌托邦

S. Willow
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摘要

《现在的乌托邦》是一篇多模态的宣言,对现当代文学中乌托邦的范畴提出了质疑。在恩斯特·布洛赫(Ernst Bloch, 1885 - 1977)乌托邦哲学的基础上,并根据我目前的博士研究,我提出“乌托邦诗学”作为一种乌托邦的文学姿态,读者和作家可以通过文本进入一种平等和非压迫的关系。乌托邦诗学不是对一个更美好世界的描述或建议——充满了语言的局限性和个人对更美好世界的看法的强加——而是通过文本的正式过程提供了一种表演或体验的可能性,即非异化的主体性。许多现当代文学文本采用碎片化、扩散和关注语言的物质性等形式策略,邀请读者参与意义建构的过程。因此,通过其可能性的扩散和对读者和作者平等主体性的开放,文本成为乌托邦潜力的场所。在布洛赫与乌托邦的终身接触中,他经常使用精神词汇来解释乌托邦的过程。他通过审美对象描述了非异化主体性的乌托邦潜力,称之为“最终的自我相遇”,或者,在梵语中,twam asi(“你在那里”)。在我自己的生活中,我经历了乌托邦诗学在文学文本中的效果与瑜伽和冥想的精神实践之间惊人的相似之处。在这个宣言中,我包含了对这种相似性的反思,并提出了一种精神实践可以被解释为非异化主体性的乌托邦可能性的表现的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Writing Utopia Now
Writing Utopia Now is a multi-modal manifesto interrogating the category of the utopian in modern and contemporary literature.  Building upon the utopian philosophy of Ernst Bloch (1885 – 1977) and drawing upon my current doctoral research, I propose ‘utopian poetics’ as a literary gesture towards the utopian, whereby reader and writer may enter into an equal and non-oppressive relationship with one another via the text.  Rather than a description of, or proposal for, a better world – fraught with the limitations of language and the imposition of one person’s perspective on how that better world might look – utopian poetics offers the possibility of a performance, or experience, of non-alienated subjectivity through the text’s formal processes.  Many modern and contemporary literary texts employ formal strategies, such as fragmentation, proliferation and attention to language’s materiality, to invite readers into the process of meaning construction.  Thus, the text becomes a site of utopian potential, both through its proliferation of possibilities and through its openness to the equal subjectivities of reader and writer.   In Bloch’s lifelong engagement with the utopian he frequently employed spiritual vocabulary to explain the utopian process.  He describes the utopian potential of non-alienated subjectivity through the aesthetic object as the ‘ultimate self-encounter’, or, in Sanskrit,  tat twam asi  (‘there you are’).  In my own life, I have experienced a striking similarity between the effects of utopian poetics in a literary text and the spiritual practices of yoga and meditation.  In this manifesto I include reflections on that similarity and suggest ways in which a spiritual practice can be interpreted as a performance of the utopian possibility of non-alienated subjectivity.
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