排箫和棍棒:塔纳岛民的早期形象

IF 0.4 4区 历史学 Q3 ANTHROPOLOGY
L. Lindstrom
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引用次数: 0

摘要

威廉·霍奇斯,詹姆斯·库克第二次航行的艺术家,创作了非常受欢迎和有影响力的素描和油画。其中包括几幅关于塔纳岛民(瓦努阿图)的插图,从18世纪70年代到19世纪30年代,这些插图塑造了欧洲人对瓦努阿图的看法,之后它们被基督教传教士的描绘所取代。受新古典主义艺术惯例的影响,霍奇斯的版画后来被大量复制,通常是岛民手中的排箫和棍棒配对。一系列早期雕刻以排箫和棍棒为特色,揭示了自然岛屿尊严的最初英雄愿景,因为这两种配件都唤起了欧洲古典理想。尽管后来的基督教和社会进化观点后来否认了高贵野蛮的比喻,但这些仍然存在于当代旅游对岛屿音乐人才和传统的欣赏中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Panpipes and clubs: early images of Tanna Islanders
William Hodges, James Cook's artist on his second voyage, produced notably popular and influential drawings and paintings. These included several illustrations of Tanna Islanders (Vanuatu) that shaped European visions of the island from the 1770s through the 1830s, after which they were supplanted by Christian missionary depictions. Influenced by neoclassicist artistic convention, Hodges's engravings, which subsequently were much copied, commonly paired panpipes with clubs in islander hands. A chain of early engravings that feature panpipes and clubs reveals an initial heroic vision of natural island dignity, as both these accessories evoked European classical ideals. Although subsequent Christian and social evolutionary views later disavowed noble savage tropes, these persist in contemporary touristic appreciation of island musical talent and tradition.
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来源期刊
CiteScore
1.50
自引率
16.70%
发文量
5
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