电影中色彩的象征主义

O. Kovsh, Mykyta Dziuba
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引用次数: 1

摘要

本研究的目的是分析观众对色彩的感知,确立色彩评分在影片结构中的作用,确定主要色彩在影片结构中的象征意义。为实现这一目标,本文概述了以下任务:确立色彩在塑造人物性格和人物形象中的作用;为了证明在单色系统的使用中,构建和和谐组织配色方案的能力的重要性;通过具体的例子来考虑颜色的作用及其象征意义。研究方法包括以下方法的应用:理论-用于分析电影,和信息来源;概括不同颜色对知觉的一般联想的影响,从色彩范围上形成以某种颜色为主的对场景的主观知觉;结构和功能,这包括将色彩作为一个独立的元素从电影的整体结构中分离出来,并决定其在人物塑造、创造戏剧张力等方面的功能。科学的新颖性是在现代工程的实例中分析某些颜色的作用,在各种场景中根据某些任务对颜色的选择进行详细的分析;通过理论分析,确定了影响观赏者总体印象的因素。因此,对这一主题的理论资料进行了收集和整理,并尝试将理论概念应用于实践。结论。在文章的过程中,我们分析了颜色的模糊性,与声音的颜色组合的使用,与其他颜色的颜色范围。通过分析电影,确定了颜色在传达象征、联想和感知变化的意义方面的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symbolism of Color in Cinema
The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research methodology consists of the application of the following methods: theoretical – for the analysis of films, and informative sources; generalization of the different colors’ influence on the general association of perception, the formation of subjective perception of scenes with the dominance of a certain color from the chromatic range; structural and functional, which consists in the isolation of color as a separate element from the integral fabric of the film and determining its function in the construction of characters, creating dramatic tension, etc. The scientific novelty is that the role of certain colors is analyzed in the example of modern projects, and a detailed analysis of the selection of colors depending on certain tasks in various scenes is carried out; with the help of theoretical analysis, the factors that influence the general impression of the viewer are determined. Thus, work was carried out on the collection and systematization of theoretical material on the topic and an attempt was made to apply theoretical concepts in practice. Conclusions. In the course of the article, we have analyzed the ambiguity of colors, the use of color combinations with sound, with other colors of the chromatic range. The role of color in conveying symbolism, associations, and the significance of changes in perception has been determined by analyzing films.
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