为空气而战……《苦难的尾声》[节选自一本发现的视听日记]

Tolis Tatolas
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摘要

挣扎着呼吸……痛苦的尾声是一篇音频文章,记录了一位Covid-19患者想象中的痛苦,这位患者是一位具有生物学学术科学背景的艺术家。它是一个虚构的个人日记的摘录,并以音景作为创造性的延伸。在他所谓的痛苦之时,这个人质疑并试图预见智人作为一个物种的未来,在Covid-19大流行出现之后,在一个与人类有关的非常关键的时期。事实上,这篇文章是对人类大脑可塑性与当前社会面临的主要问题的检验;传染病影响人类生存和活动的方式;以及艺术作为科学灵感的途径,反之亦然。它认为,为了生存,人类超越了自然选择,通过将人体与人造器官紧密联系起来,实现了人工选择。科幻小说被应用,并导致了超人类主义。因此,在一个非人性化已成为常态的时代,非人性化在当代社会中占据了更加重要的地位。文章以质疑从人类到后人类存在概念的转变所产生的道德问题作为结尾,表明其影响才刚刚开始被感受到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stuggle for Air...an Epilogue to Suffering. [Excerpt From a Found Audiovisual Diary]
Struggle for air … an epilogue to suffering is an audio essay that documents the imagined agony of a with Covid-19 patient, a man who is an artist with an academic scientific background in biology. It is conceptualised and written as an excerpt from a fictional personal diary, with a soundscape as a creative extension. At the time of his supposed suffering, the man questions and tries to foresee the future of the Homo sapiens as a species, after the appearance of the Covid-19 pandemic during a period of very critical conditions that concern humanity. The essay is, in fact, an examination of the human brain plasticity in relation to current major issues that the society faces; of the ways in which the contagion impacted human existence and activity; and of the avenues through which art may act as inspiration for science and vice versa. It argues that, in order to survive, humankind surpasses natural selection and enables an artificial one, by vitally connecting the human body with artificial parts. Science fiction becomes applied and leads to transhumanism. Thus, in an era where dehumanisation has become the norm, the inhuman assumes an even more significant place in contemporary society. The essay comes to a close by questioning the moral issues that arise from the transition from the human to the posthuman concept of existence, indicating that its repercussions are only just starting to be felt.
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