{"title":"听和通过岩石声学","authors":"Lara Weaver","doi":"10.1080/20551940.2023.2238956","DOIUrl":null,"url":null,"abstract":"How has sound been a form of shaping, enabling, or disrupting regimes of petrocapitalism? In what ways can we listen through colonial legacies and extractivist paradigms to present day relations between humans and non-human environments? Can sounding fossil fuel discourses produce knowledge that has previously gone unheard? Such are the questions that inspired “Critical Perspectives on Petrosonics”, a study day organised by the Royal Musical Association (RMA) and British Forum for Ethnomusicology (BFE)","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"58 1","pages":"311 - 316"},"PeriodicalIF":0.4000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Listening to and through petrosonics\",\"authors\":\"Lara Weaver\",\"doi\":\"10.1080/20551940.2023.2238956\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How has sound been a form of shaping, enabling, or disrupting regimes of petrocapitalism? In what ways can we listen through colonial legacies and extractivist paradigms to present day relations between humans and non-human environments? Can sounding fossil fuel discourses produce knowledge that has previously gone unheard? Such are the questions that inspired “Critical Perspectives on Petrosonics”, a study day organised by the Royal Musical Association (RMA) and British Forum for Ethnomusicology (BFE)\",\"PeriodicalId\":53207,\"journal\":{\"name\":\"Sound Studies\",\"volume\":\"58 1\",\"pages\":\"311 - 316\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sound Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20551940.2023.2238956\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sound Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20551940.2023.2238956","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
How has sound been a form of shaping, enabling, or disrupting regimes of petrocapitalism? In what ways can we listen through colonial legacies and extractivist paradigms to present day relations between humans and non-human environments? Can sounding fossil fuel discourses produce knowledge that has previously gone unheard? Such are the questions that inspired “Critical Perspectives on Petrosonics”, a study day organised by the Royal Musical Association (RMA) and British Forum for Ethnomusicology (BFE)
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