{"title":"注定要统治:永乐皇帝画像中玉色宝座的象征意义","authors":"Quincy Ngan","doi":"10.1086/724207","DOIUrl":null,"url":null,"abstract":"The Yongle emperor (Zhu Di, 1360–1424; r. 1402–24) was the third emperor of the Ming dynasty (1368–1644). He is most well-known for his sponsorship of treasure voyages to India, Arabia, and East Africa and for moving the capital from Nanjing to Beijing following his coup against the second Ming ruler, the Jianwen emperor (Zhu Yunwen, 1377– 1402; r. 1398–1402), whowas also Yongle’s nephew. Scholars are familiar with the image of Yongle from the painting Portrait of Emperor Yongle","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":"103 1","pages":"14 - 24"},"PeriodicalIF":0.2000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Destined to Rule: The Symbolism of the Jade-Colored Throne in the Yongle Emperor’s Portrait\",\"authors\":\"Quincy Ngan\",\"doi\":\"10.1086/724207\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Yongle emperor (Zhu Di, 1360–1424; r. 1402–24) was the third emperor of the Ming dynasty (1368–1644). He is most well-known for his sponsorship of treasure voyages to India, Arabia, and East Africa and for moving the capital from Nanjing to Beijing following his coup against the second Ming ruler, the Jianwen emperor (Zhu Yunwen, 1377– 1402; r. 1398–1402), whowas also Yongle’s nephew. Scholars are familiar with the image of Yongle from the painting Portrait of Emperor Yongle\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":\"103 1\",\"pages\":\"14 - 24\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/724207\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/724207","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Destined to Rule: The Symbolism of the Jade-Colored Throne in the Yongle Emperor’s Portrait
The Yongle emperor (Zhu Di, 1360–1424; r. 1402–24) was the third emperor of the Ming dynasty (1368–1644). He is most well-known for his sponsorship of treasure voyages to India, Arabia, and East Africa and for moving the capital from Nanjing to Beijing following his coup against the second Ming ruler, the Jianwen emperor (Zhu Yunwen, 1377– 1402; r. 1398–1402), whowas also Yongle’s nephew. Scholars are familiar with the image of Yongle from the painting Portrait of Emperor Yongle
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