{"title":"小闹钟","authors":"Ethan Chatagnier","doi":"10.1353/col.2022.0090","DOIUrl":null,"url":null,"abstract":"Abstract:During the Cold War, an American woman working in an art museum in west Berlin develops an obsession with a piece of abstract art that provokes a sense of fear in its viewers. She contends with the way that sense of fear relates to her life on a geopolitical fault line, and to her relationship with an arrogant coworker. When a museum visitor damages the painting, she finds she must reevaluate her life.","PeriodicalId":83408,"journal":{"name":"University of Colorado law review. University of Colorado (Boulder campus). School of Law","volume":"103 1","pages":"113 - 125"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Small Alarm\",\"authors\":\"Ethan Chatagnier\",\"doi\":\"10.1353/col.2022.0090\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:During the Cold War, an American woman working in an art museum in west Berlin develops an obsession with a piece of abstract art that provokes a sense of fear in its viewers. She contends with the way that sense of fear relates to her life on a geopolitical fault line, and to her relationship with an arrogant coworker. When a museum visitor damages the painting, she finds she must reevaluate her life.\",\"PeriodicalId\":83408,\"journal\":{\"name\":\"University of Colorado law review. University of Colorado (Boulder campus). School of Law\",\"volume\":\"103 1\",\"pages\":\"113 - 125\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"University of Colorado law review. University of Colorado (Boulder campus). School of Law\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/col.2022.0090\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"University of Colorado law review. University of Colorado (Boulder campus). School of Law","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/col.2022.0090","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract:During the Cold War, an American woman working in an art museum in west Berlin develops an obsession with a piece of abstract art that provokes a sense of fear in its viewers. She contends with the way that sense of fear relates to her life on a geopolitical fault line, and to her relationship with an arrogant coworker. When a museum visitor damages the painting, she finds she must reevaluate her life.