{"title":"特雷弗·诺亚(Trevor Noah)的单口喜剧中的笑声、反抗和矛盾:将模仿回归为嘲弄","authors":"Amanda Källstig, C. Death","doi":"10.1080/21681392.2020.1743191","DOIUrl":null,"url":null,"abstract":"This article explores how to understand stand-up comedy as a form of resistance in global politics, combining discussion of Homi Bhabha’s concepts of ambivalence and mimicry with an examination of Trevor Noah’s stand-up performances, in particular his material on race, disease and poverty. The article builds upon approaches which have interpreted comedy in terms of hidden transcripts, counter-discourses, and counter-conducts to argue that stand-up is serious politics. Notwithstanding his prominence and success, Noah’s performances are an alternative to dominant, white, western and Eurocentric discourses of global politics, and can be understood as a form of ‘ambivalent mockery’ which both inhabit and subvert dominant power relations and discourses from within. In his routines race is reified and deconstructed; disease is tragic and laughable; poverty is lamentable, valorized, and misunderstood. Noah invokes, inhabits and challenges racist and racialized assumptions, performing a racial ‘in-between-ness’ ranging across black, mixed, coloured and white identities which subverts assumptions about stable categories of race and identity. Taking this comedy seriously enables important contradictions in assumptions about race, disease and poverty to be seen more vividly, and demonstrates how global politics is performed and resisted in diverse ways.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2020-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":"{\"title\":\"Laughter, resistance and ambivalence in Trevor Noah’s stand-up comedy: returning mimicry as mockery\",\"authors\":\"Amanda Källstig, C. Death\",\"doi\":\"10.1080/21681392.2020.1743191\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores how to understand stand-up comedy as a form of resistance in global politics, combining discussion of Homi Bhabha’s concepts of ambivalence and mimicry with an examination of Trevor Noah’s stand-up performances, in particular his material on race, disease and poverty. The article builds upon approaches which have interpreted comedy in terms of hidden transcripts, counter-discourses, and counter-conducts to argue that stand-up is serious politics. Notwithstanding his prominence and success, Noah’s performances are an alternative to dominant, white, western and Eurocentric discourses of global politics, and can be understood as a form of ‘ambivalent mockery’ which both inhabit and subvert dominant power relations and discourses from within. In his routines race is reified and deconstructed; disease is tragic and laughable; poverty is lamentable, valorized, and misunderstood. Noah invokes, inhabits and challenges racist and racialized assumptions, performing a racial ‘in-between-ness’ ranging across black, mixed, coloured and white identities which subverts assumptions about stable categories of race and identity. Taking this comedy seriously enables important contradictions in assumptions about race, disease and poverty to be seen more vividly, and demonstrates how global politics is performed and resisted in diverse ways.\",\"PeriodicalId\":37966,\"journal\":{\"name\":\"Critical African Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2020-03-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical African Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21681392.2020.1743191\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical African Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21681392.2020.1743191","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Laughter, resistance and ambivalence in Trevor Noah’s stand-up comedy: returning mimicry as mockery
This article explores how to understand stand-up comedy as a form of resistance in global politics, combining discussion of Homi Bhabha’s concepts of ambivalence and mimicry with an examination of Trevor Noah’s stand-up performances, in particular his material on race, disease and poverty. The article builds upon approaches which have interpreted comedy in terms of hidden transcripts, counter-discourses, and counter-conducts to argue that stand-up is serious politics. Notwithstanding his prominence and success, Noah’s performances are an alternative to dominant, white, western and Eurocentric discourses of global politics, and can be understood as a form of ‘ambivalent mockery’ which both inhabit and subvert dominant power relations and discourses from within. In his routines race is reified and deconstructed; disease is tragic and laughable; poverty is lamentable, valorized, and misunderstood. Noah invokes, inhabits and challenges racist and racialized assumptions, performing a racial ‘in-between-ness’ ranging across black, mixed, coloured and white identities which subverts assumptions about stable categories of race and identity. Taking this comedy seriously enables important contradictions in assumptions about race, disease and poverty to be seen more vividly, and demonstrates how global politics is performed and resisted in diverse ways.
期刊介绍:
Critical African Studies seeks to return Africanist scholarship to the heart of theoretical innovation within each of its constituent disciplines, including Anthropology, Political Science, Sociology, History, Law and Economics. We offer authors a more flexible publishing platform than other journals, allowing them greater space to develop empirical discussions alongside theoretical and conceptual engagements. We aim to publish scholarly articles that offer both innovative empirical contributions, grounded in original fieldwork, and also innovative theoretical engagements. This speaks to our broader intention to promote the deployment of thorough empirical work for the purposes of sophisticated theoretical innovation. We invite contributions that meet the aims of the journal, including special issue proposals that offer fresh empirical and theoretical insights into African Studies debates.