{"title":"“这些天的脏话”:《设立守望者》中的盎格鲁-撒克逊主义、种族和亲属关系","authors":"Garrett Bridger Gilmore","doi":"10.1215/0041462x-9808091","DOIUrl":null,"url":null,"abstract":"Abstract:This article examines the function of Anglo-Saxon racial kinship in Harper Lee's 2015 novel Go Set a Watchman, arguing that it obscures the relationship between personal family dynamics and national struggle over desegregation in the late 1950s. For Lee, psychological maturity and political liberty constitute the core features of a mythologized Anglo-Saxon racial inheritance, one shared by her novel's white characters, and over the course of the novel, as its protagonist Jean Louise Finch rejects psychologically stunted and politically naive colorblind liberalism, she learns to \"think racially\" and embrace the virtues of massive resistance to integration. The novel's equation of psychological maturity and white supremacy is key to Jean Louise consistent denial of the centrality of anti-Black violence and oppression throughout the long history of Anglo-Saxon and southern US culture the novel uncritically offers as the true nature of Jim Crow society. By emphasizing Lee's self-conscious deployment of literary history in her construction of an Anglo-Saxon racial essence, the article distinguishes between the novel's reactionary critiques of colorblind liberalism and progressive ones traditionally made by Lee's critics.","PeriodicalId":44252,"journal":{"name":"TWENTIETH CENTURY LITERATURE","volume":"89 1","pages":"151 - 178"},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"\\\"A Dirty Word These Days\\\": Anglo-Saxonism, Race, and Kinship in Go Set a Watchman\",\"authors\":\"Garrett Bridger Gilmore\",\"doi\":\"10.1215/0041462x-9808091\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article examines the function of Anglo-Saxon racial kinship in Harper Lee's 2015 novel Go Set a Watchman, arguing that it obscures the relationship between personal family dynamics and national struggle over desegregation in the late 1950s. For Lee, psychological maturity and political liberty constitute the core features of a mythologized Anglo-Saxon racial inheritance, one shared by her novel's white characters, and over the course of the novel, as its protagonist Jean Louise Finch rejects psychologically stunted and politically naive colorblind liberalism, she learns to \\\"think racially\\\" and embrace the virtues of massive resistance to integration. The novel's equation of psychological maturity and white supremacy is key to Jean Louise consistent denial of the centrality of anti-Black violence and oppression throughout the long history of Anglo-Saxon and southern US culture the novel uncritically offers as the true nature of Jim Crow society. By emphasizing Lee's self-conscious deployment of literary history in her construction of an Anglo-Saxon racial essence, the article distinguishes between the novel's reactionary critiques of colorblind liberalism and progressive ones traditionally made by Lee's critics.\",\"PeriodicalId\":44252,\"journal\":{\"name\":\"TWENTIETH CENTURY LITERATURE\",\"volume\":\"89 1\",\"pages\":\"151 - 178\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TWENTIETH CENTURY LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0041462x-9808091\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TWENTIETH CENTURY LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0041462x-9808091","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 1
摘要
摘要:本文考察了哈珀·李(Harper Lee) 2015年出版的小说《设立守望者》(Go Set a Watchman)中盎格鲁-撒克逊种族亲属关系的功能,认为它模糊了20世纪50年代末个人家庭动态与民族反种族隔离斗争之间的关系。对李来说,心理成熟和政治自由构成了神话般的盎格鲁-撒克逊种族遗产的核心特征,她的小说中的白人角色也有这种特征。在小说的过程中,主人公让·路易斯·芬奇(Jean Louise Finch)拒绝了心理发育不良、政治幼稚的色盲自由主义,她学会了“从种族角度思考”,并接受了大规模抵制种族融合的美德。小说中心理成熟和白人至上的等式是简·路易斯始终否认盎格鲁-撒克逊和美国南部文化漫长历史中反黑人暴力和压迫的中心地位的关键小说不加批判地提供了吉姆·克劳社会的真实本质。通过强调李在构建盎格鲁-撒克逊种族本质时对文学史的自觉运用,文章区分了小说中对有色自由主义的反动批评和李的批评者传统上的进步批评。
"A Dirty Word These Days": Anglo-Saxonism, Race, and Kinship in Go Set a Watchman
Abstract:This article examines the function of Anglo-Saxon racial kinship in Harper Lee's 2015 novel Go Set a Watchman, arguing that it obscures the relationship between personal family dynamics and national struggle over desegregation in the late 1950s. For Lee, psychological maturity and political liberty constitute the core features of a mythologized Anglo-Saxon racial inheritance, one shared by her novel's white characters, and over the course of the novel, as its protagonist Jean Louise Finch rejects psychologically stunted and politically naive colorblind liberalism, she learns to "think racially" and embrace the virtues of massive resistance to integration. The novel's equation of psychological maturity and white supremacy is key to Jean Louise consistent denial of the centrality of anti-Black violence and oppression throughout the long history of Anglo-Saxon and southern US culture the novel uncritically offers as the true nature of Jim Crow society. By emphasizing Lee's self-conscious deployment of literary history in her construction of an Anglo-Saxon racial essence, the article distinguishes between the novel's reactionary critiques of colorblind liberalism and progressive ones traditionally made by Lee's critics.