舞台气质:Eustahija Arsic

IF 0.2 0 ART
Dragan Prole
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引用次数: 0

摘要

本文考察了第一位现代塞尔维亚语作家尤斯塔希亚·阿西奇的作品。毫无疑问,奥布拉多维奇?她在题为《道德教训》(Moral Lessons)的短篇伦理学论文中写道。(1816),提出了一种主要美德的清单。在19世纪初,几乎每一个关于道德的故事都回应了塑造一个主体间的国家平台的需要。道德教育的目的是创造一个更好的人,而一个更好的人无论如何是必要的。19世纪将创造它。他或她将以一名敬业的国家工作者、自由主义者和世界主义者的形式出现。作者?《尤斯塔希亚·阿西奇的传记》证明了我们第一位女作家不寻常的、几乎自相矛盾的谦逊勇气。为了恰当地阐释这一概念,我们首先考察了19世纪头几十年开始这一概念的构成。根据Eustahija的说法,开始是一种自由的行为,是分享的开始,它的反思指向将活跃的生活合而为一。我自己动手。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The ethos of the stage: Eustahija Arsic
The article examines the work of the first modern writer of the Serbian language, Eustahija Arsic. Undoubtedly, Dositej Obradovic?s student, in her short ethical treatise, published under the title ?Moral Lessons? (1816), presented a kind of list of leading virtues. At the beginning of the 19th century, almost every story about morality responded to the need to shape an intersubjective, national platform. Moral education aimed to create a better man, and a better man was necessary by all means. The 19th century will create it. He or she will appear in the form of an engaged national worker, liberal and cosmopolitan. The author?s profile of Eustahija Arsic testifies to the unusual, almost paradoxical modest courage of our first female writer. In order to illuminate it appropriately, we have firstly considered the configuration of the notion of beginning in the first decades of the 19th century. According to Eustahija, the beginning is a free act, the initiation of sharing, and its reflection points to taking the active life into one?s own hands.
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