想象抵抗:Māori观众抵抗创伤,重新想象电视剧中的表象

IF 1.2 Q3 COMMUNICATION
A. Barnes
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引用次数: 0

摘要

电视剧的含义不仅仅是提供娱乐,也不仅仅是观众的直接反应和反应。Māori在我对地方电视剧的研究中,焦点小组的参与者敏锐地意识到他们是如何在屏幕上呈现的。作为观众,他们深受影响,并努力先发制人,解决他们所看到的或期望看到的问题。在殖民化和负面刻板印象弥漫Māori代表的背景下,他们采取了多种形式的意义创造和协商复杂的反应。殖民创伤是对提醒参与者殖民影响的陈述的深刻反应;例如,对reo Māori (Māori语言)的诋毁和身份问题。当看到令人不安的描述时,参与者采用了抵抗策略,包括我称之为“想象抵抗”的反应,他们为角色的动机和行为创造背景故事和解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Imagining resistance: Māori audiences resist trauma and reimagine representations in television dramas
ABSTRACT Television drama has implications beyond providing entertainment and beyond immediate audience reactions and responses. Māori focus group participants in my research on local television dramas were acutely aware of how they were represented on screen. As an audience they were deeply affected and worked hard to pre-empt and address what they saw or expected to see. Against a backdrop of colonisation and negative stereotypes that pervade Māori representations, they undertook multiple forms of meaning making and negotiated complex responses. Colonial trauma emerged as a deeply felt response to representations that reminded participants of the effects of colonisation; for example, the denigration of te reo Māori (Māori language) and issues of identity. When viewing troubling depictions, participants deployed strategies of resistance, including a response I termed ‘Imagining Resistance’ where, they created backstories and interpretations for characters’ motivations and behaviours.
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CiteScore
2.40
自引率
8.30%
发文量
21
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