{"title":"种族问题:文艺复兴时期和当代洗白中的黑人仙女座菌株","authors":"P. Simons","doi":"10.1086/720926","DOIUrl":null,"url":null,"abstract":"Current debates about erasure and action in relation to race highlight the need for art historians to be vigilant about how we describe and analyze representations of non-Europeans. The Ethiopian princess Andromeda from ancient mythology is a notable example. The textual trail implying that Andromeda was black begins in now-lost Greek plays from the fifth century BCE that unequivocally described the character as Ethiopian, and later texts adduced below continued that","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Race Matters: Black Andromeda in the Renaissance and in Contemporary Whitewashing\",\"authors\":\"P. Simons\",\"doi\":\"10.1086/720926\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Current debates about erasure and action in relation to race highlight the need for art historians to be vigilant about how we describe and analyze representations of non-Europeans. The Ethiopian princess Andromeda from ancient mythology is a notable example. The textual trail implying that Andromeda was black begins in now-lost Greek plays from the fifth century BCE that unequivocally described the character as Ethiopian, and later texts adduced below continued that\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/720926\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/720926","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Race Matters: Black Andromeda in the Renaissance and in Contemporary Whitewashing
Current debates about erasure and action in relation to race highlight the need for art historians to be vigilant about how we describe and analyze representations of non-Europeans. The Ethiopian princess Andromeda from ancient mythology is a notable example. The textual trail implying that Andromeda was black begins in now-lost Greek plays from the fifth century BCE that unequivocally described the character as Ethiopian, and later texts adduced below continued that