{"title":"《我们是雪花》:小跨国主义与中国同人小说群体的文化弹性","authors":"Fan Xiao","doi":"10.1177/20594364231188350","DOIUrl":null,"url":null,"abstract":"This article examines the cultural resilience of the Chinese slash fanfiction subculture. Popular among Chinese youth, the writing and reading of slash are subjected to increasingly stringent regulations due to changes in the political environment. Drawing from the theoretical framework of minor transnationalism, the current study situates the development of the Chinese slash community in the context of post-socialist reform and globalization, arguing that slash fanfiction is a form of non-institutional, border-crossing cultural practice that challenges orthodox heteronormativity in nationalistic discourses. Foregrounding the double-edge-sword role of digital platforms, this article dissects the cultural resilience of the Chinese slash community—manifested as various strategies in keeping the viability of their cultural practices, including cultural enclosure, border-crossing platform-switching, and social media activism. This article contributes to the study of subcultures by bringing a transnational perspective that focuses on continuous, resilient cultural practices in negotiations of alternative cultural and political agendas. Methodologically, it also contributes to social media ethnographic research by testing out a comprehensive toolkit that combines close reading with computational text-mining and visual network analysis in the analysis of multimodal social media discourses.","PeriodicalId":42637,"journal":{"name":"Global Media and China","volume":"30 1","pages":""},"PeriodicalIF":3.2000,"publicationDate":"2023-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China\",\"authors\":\"Fan Xiao\",\"doi\":\"10.1177/20594364231188350\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the cultural resilience of the Chinese slash fanfiction subculture. Popular among Chinese youth, the writing and reading of slash are subjected to increasingly stringent regulations due to changes in the political environment. Drawing from the theoretical framework of minor transnationalism, the current study situates the development of the Chinese slash community in the context of post-socialist reform and globalization, arguing that slash fanfiction is a form of non-institutional, border-crossing cultural practice that challenges orthodox heteronormativity in nationalistic discourses. Foregrounding the double-edge-sword role of digital platforms, this article dissects the cultural resilience of the Chinese slash community—manifested as various strategies in keeping the viability of their cultural practices, including cultural enclosure, border-crossing platform-switching, and social media activism. This article contributes to the study of subcultures by bringing a transnational perspective that focuses on continuous, resilient cultural practices in negotiations of alternative cultural and political agendas. Methodologically, it also contributes to social media ethnographic research by testing out a comprehensive toolkit that combines close reading with computational text-mining and visual network analysis in the analysis of multimodal social media discourses.\",\"PeriodicalId\":42637,\"journal\":{\"name\":\"Global Media and China\",\"volume\":\"30 1\",\"pages\":\"\"},\"PeriodicalIF\":3.2000,\"publicationDate\":\"2023-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Global Media and China\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/20594364231188350\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Media and China","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/20594364231188350","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China
This article examines the cultural resilience of the Chinese slash fanfiction subculture. Popular among Chinese youth, the writing and reading of slash are subjected to increasingly stringent regulations due to changes in the political environment. Drawing from the theoretical framework of minor transnationalism, the current study situates the development of the Chinese slash community in the context of post-socialist reform and globalization, arguing that slash fanfiction is a form of non-institutional, border-crossing cultural practice that challenges orthodox heteronormativity in nationalistic discourses. Foregrounding the double-edge-sword role of digital platforms, this article dissects the cultural resilience of the Chinese slash community—manifested as various strategies in keeping the viability of their cultural practices, including cultural enclosure, border-crossing platform-switching, and social media activism. This article contributes to the study of subcultures by bringing a transnational perspective that focuses on continuous, resilient cultural practices in negotiations of alternative cultural and political agendas. Methodologically, it also contributes to social media ethnographic research by testing out a comprehensive toolkit that combines close reading with computational text-mining and visual network analysis in the analysis of multimodal social media discourses.