奇龄、老年和双重生命:以色列·赞威尔短篇小说中的异步性和古怪的衰老

Alice Crossley
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摘要

本文从盎格鲁犹太新幽默作家Israel Zangwill的短篇喜剧小说中探索衰老。在一系列的短篇小说中,Zangwill通过玩转这些假设,揭示了衰老的悖论,这些故事反映了“生命终结”文化倾向于将晚年生活与衰退和萎缩联系起来的方式。这些文本颠覆了关于老龄化的传统观点,挑战了青年和老年的二元对立,并通过代际差异和家庭关系批判了衰老的生理学。这篇文章认为,Zangwill的文本强调衰老的能力——作为一种主观经验、社会身份和通过时间阐明可变自我的手段——被理解为一种抵抗或颠覆的场所。特别是,他的故事“奇怪的生活”建立了创造性的方式来概念化年龄,因为主角在时间现实主义的约束之外经历了衰老。威利·斯特里赛德(Willy Streetside)不合时宜的衰老——因为他可以同时被视为一个孩子、中年和老人——通过一种奇怪的异步时间性表现出来,这种时间性超出了生殖未来主义的预期。特别是通过这个主人公,Zangwill建立了一个另类的、非规范的年龄模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Odd Age, Old Age, and Doubled Lives: Asynchronicity and Ageing Queerly in Israel Zangwill’s Short Stories
This article explores ageing in the short, comic fiction of the Anglo-Jewish New Humourist writer Israel Zangwill. In a range of short stories, which reflect on the ways in which fin-de-siècle culture tends to align later life with decline and diminishment, Zangwill reveals the paradoxes of ageing by playing with such assumptions. These texts subvert conventional views on ageing, challenge the binary opposition of youth and old age, and critique the physiology of ageing through intergenerational difference and familial relations. The article argues that Zangwill’s texts emphasize the capacity for ageing — as a subjective experience, social identity, and means of elucidating the variable self through time — to be understood as a site of resistance or mode of subversion. In particular, his story ‘An Odd Life’ establishes creative ways to conceptualize age, as ageing is experienced by the protagonist outside the constraints of temporal realism. Willy Streetside’s anachronistic ageing — as he can be seen as simultaneously a child, in midlife, and an elderly man — manifests through a queerly asynchronous temporality, which operates beyond the expectations of reproductive futurism. Through this protagonist in particular, Zangwill establishes an alternative, non-normative model of age.
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