亲密的艺术和共同世界的创造

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.27166

Sabine Forero-Mendoza

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引用次数: 0

摘要

摘要:20世纪90年代下半叶以来，在艺术实践领域内，以探索亲密关系为主题的作品比比皆是，日常生活中最无用的东西成为人们喜爱的素材。许多批评人士对一个非政治化社会的自恋行为进行了污名化，认为这种自恋行为屈从于透明度的必要性。相反，这篇文章试图解释一些艺术家在表达他们私密生活的同时，成功地定义了一个便于部署政治和社会质疑的共同世界。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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EL ARTE DE LO ÍNTIMO Y LA CREACIÓN DE UN MUNDO COMÚN

Abstract: Since the second half of 1990’s, within the artistic practice field, numerous are the works that make the exploration of intimacy a major theme where the most futile in daily existence becomes the favorite material. A lot of critics stigmatize the narcissism of a depoliticized society, submitted to the imperative of transparency. Taking an opposite direction, this article tries to explain that some artists, while expressing aspects of their intimate lives, succeed in defining a common world convenient for the deployment of political and social interrogations.

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来源期刊

Signa-Revista de la Asociacion Espanola de Semiotica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

258