- Book学术

发布求助

文献互助智能选刊最新文献

IF 0.6 4区管理学 0 HUMANITIES, MULTIDISCIPLINARY

International Journal of Arts Management Pub Date : 2019-04-30 DOI:10.31566/ARTS.2.008

Işınsu Ersan

引用次数: 2

摘要

木偶剧是一种传统的表演方式，木偶代表虚构的人物，因此他们取代了舞台上的演员。尽管传统的舞台舞台封装了代表特定角色的木偶，但它仍在继续;20世纪的舞台表演发生了转变。各种艺术学科的变化，以及先锋派运动、技术进步和传播的演变，为这种转变提供了基础。因此，两家公司都经历了由不同表演艺术主导的各种实验实践和跨学科实践。本文揭示了木偶戏作为一种表现形式在当代表演艺术中的地位。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

ÇAĞDAŞ GÖSTERİ SANATLARINDA BİR ANLATIM ARACI OLARAK KUKLA

Puppet theater is a kind of presentation in which conventionally puppets represent fictional characters therefore they replace actors on stage. Even though a conventional staging encapsulates puppets standing for a specific character is continuing; 20th century provided a transformation in staging. The alteration of all art disciplines together with Avant-garde movements, technological advancements and evolution of communication provide a base for this transformation. Hence both companies experienced a variety of experimental practice and interdisciplinary practices occurred that led by different performing arts. This paper, reveal puppetry’s place in contemporary performing arts as a form of expression.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

International Journal of Arts Management Multiple-

CiteScore

1.40

自引率

12.50%

发文量

期刊介绍： Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.