济慈、距离与感觉状态

IF 0.2 2区 文学 0 LITERATURE
ELH Pub Date : 2022-12-01 DOI:10.1353/elh.2022.0035
Vidyan Ravinthiran
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引用次数: 0

摘要

摘要:本文从约翰·琼斯身上推断出济慈的“情感状态”,这是一种反历史主义美学,与少数民族和后殖民作家以及今天不幸沉浸在新闻数据流中的全球公民密切相关。重读杰罗姆·麦克甘(Jerome McGann)对《致秋》(To Autumn)及其“浪漫主义意识形态”的著名抨击(这是历史决定论面对反抗文本的典型例子),我认为“亲爱的雷诺兹,就像昨晚我躺在床上一样”;还有《罗勒壶》,克劳迪娅·兰金和马丁·卡特的诗歌,卡特和尼西姆·以西结的批评,这些都表明诗人对创造性与政治关系的思考超越了批判性的假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Keats, Distance, and Feeling-States
Abstract:This essay extrapolates from John Jones on Keats's "feeling-states" a counterhistoricist aesthetics also germane to minoritized and postcolonial writers, and to the global citizen haplessly, today, immersed in streams of news-data. Revisiting Jerome McGann's famous attack on "To Autumn" and its "romantic ideology" (theparadigmatic instance of historicism confronting a resistant text), I consider "Dear Reynolds, as last night I lay in bed," Isabella; Or, the Pot of Basil, and the poetry of Claudia Rankine and Martin Carter, and Carter and Nissim Ezekiel's criticism, to suggest the thinking of poets about the relation of creativeness to politics outgoes critical assumptions.
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来源期刊
ELH
ELH LITERATURE-
CiteScore
0.60
自引率
0.00%
发文量
30
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