你不是一个人的中国》:COVID-19时代的第一首歌,在沉默哭泣的世界中坚守信念。

Lydia Giménez-Llort
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引用次数: 0

摘要

集体哀悼是社会成熟、凝聚和尊重的表现。全世界都沉浸在悲痛之中,但在 2020 年 1 月初,在所有人都无法想象 SARS-CoV-2 演变成 COVID-19 大流行之前,一首关于爱与孤独的流行民谣的音乐视频版在中国社交网络上传播开来。这首《你并不孤单》由旅居中国的外国青年翻唱,以表达他们对失去亲人的家庭和一线工作者的支持,并鼓励他们的第二故乡--中国人民。当时,世界其他国家都将目光投向遥远的中国,但很难预料几个月后会面临同样的困境。作者报告说,音乐视频是对这种创伤事件和哀悼过程的自发艺术表达。本作品分析了音乐是如何与描述武汉疫情的歌词和图像相融合以达到其目的的。作品比较了原版歌曲和为中国制作的简短版本的音乐和歌词结构以及主要特点。此外,还对两段视频的电影变量和非语言交流进行了分析,强调了歌曲在表达深切悲痛和同情的同时,也能带来希望的力量。心理急救、库伯勒-罗斯(Kübler-Ross)提出的哀悼过程的五个阶段、斯特罗贝(Stroebe)和舒特(Schut)提出的双重过程模型,以及泰勒(Taylor)提出的 "结为朋友"(tend-to-befriend),让我们更好地理解了从人际哀悼到社会哀悼的转变。最后,我们还讨论了社会自发选择单独或共同演唱的其他令人难忘的歌曲,以应对突发的戏剧性情况,缓解身体上的距离感,减轻人类的痛苦。尽管存在文化障碍,但音乐、歌词和艺术表演在这场大流行病中为建立社会和情感纽带发挥了关键作用,阻碍了个人和社会的痛苦和悲伤。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
'You're Not Alone for China': The First Song in Times of COVID-19 to Keep the Faith in a World Crying in Silence.

Collective mourning is an expression of societal maturity, cohesion, and respect. The world is in grief, but in early January 2020, before nobody could even imagine that SARS-CoV-2 would turn into the COVID-19 pandemic, a music video version of a pop ballad about love and isolation was spread across a Chinese social network. The song 'You Are Not Alone' was adapted as a cover by young foreigners living in China to express their support to bereaved families and frontline workers and encourage the people of China, their second home. At that time, the rest of the world looked to distant China but could hardly expect to face the same adversity months later. The authors reported that the music video was a spontaneous artistic expression copying such traumatic events and the mourning process. The present work analyses how the music was blended with lyrics and images describing the outbreak in Wuhan to reach their goal. The original song and this shortened version for China were compared regarding musical and lyric structures and main characteristics. Additionally, an analysis of the two videos was done regarding cinemetric variables and non-verbal communication that emphasized the power of songs to express deep sorrow and sympathy but also to give hope. Psychological first aid, the five stages of the mourning process by Kübler-Ross, the dual-process model by Stroebe and Schut, and Taylor's tend-to-befriend provided a better understanding of the translation from interpersonal to societal mourning. Finally, other memorable songs that society spontaneously chose to be performed alone or together to cope with sudden and dramatic situations, mitigate physical distancing, and alleviate human suffering are discussed. Music, lyrics, and artistic performance are playing a key role in building social and emotional ties during this pandemic, hampering individual and social pain and sorrow despite cultural barriers.

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