拉迪·基层电影《窗户》的音乐插图;期末作业研究Larasati Rahma Aditiara

Maria Octavia Rosiana Dewi
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引用次数: 0

摘要

本研究旨在探讨Larasati Rahma Aditiara在对Randi Pratama的电影《Jendela》的音乐插画进行再创作时的基本思想,以及其中的阶段和创作过程。《詹德拉》是一部讲述不和谐的父子关系的家庭剧电影。他们的关系最终改善了,沟通也恢复了和谐。本研究以电影音乐理论为基础,采用定性的解释描述方法。本研究的结果是Larasati Rahma Aditiara希望通过重新制作电影中的音乐插图来直接传达给观众来解释电影“Jendela”所包含的意义和情感。欲望成为工作中想法的基础。这个作品的概念使用了主题发展和努力放置爪哇传统的音乐习语。制作工作有几个阶段,即确定电影音乐类型,确定电影和工作流程。作曲家在导演的指导下完成了五个工作流程。这部作品有七个提示部分的音乐插图,并有一个简短的介绍。影片最后的结尾部分在片尾字幕中出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Penggarapan Ulang Ilustrasi Musik Film “Jendela” Karya Randi Pratama; Studi Karya Tugas Akhir Larasati Rahma Aditiara
This research aims to examine the basic idea of Larasati Rahma Aditiara in the re-create of the music illustration of the film "Jendela" by Randi Pratama and the stages and creative processes in it. The "Jendela" is a family drama movie that tells the story of a less harmonious father and son relationship. The relationship eventually improved, and communication returned harmoniously. The methods in this study are qualitative with an interpretive descriptive approach based on film music theory. The result of this study is the desire of Larasati Rahma Aditiara to interpret the meaning and emotions contained in the film "Jendela" by reworking the film's musical illustrations to be conveyed directly to the audience. The desire becomes the basis of the idea in work. The concept of this work uses leitmotif development and efforts to place musical idioms of Javanese tradition. There are stages of making work, namely the determination of the film music genre, the determination of films and workflows. The composer performs five workflows under the direction of the director. The work has seven cue sections of musical illustration, with a brief introduction. The finale part is played in the credit title at the end of the film.
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