“掌控局面”:Mulcaster的《position》和Spenser的《仙后》

Q1 Arts and Humanities
Spenser Studies Pub Date : 2020-01-01 DOI:10.1086/706175
Åke Bergvall
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引用次数: 0

摘要

本文认为,伊丽莎白时代著名的教育家理查德·穆尔卡斯特对他的学生埃德蒙·斯宾塞的叙事策略产生了相当大的影响,尤其是在《仙后》的第一卷中。最近的学者,如杰夫·多尔文和安德鲁·华莱士坚持认为,斯宾塞批评了许多他们认为在伊丽莎白时代课堂上普遍存在的人文主义做法,这项研究表明,这种对人文主义的批评已经是商人泰勒学校改革课程的基本组成部分,斯宾塞在穆尔卡斯特的指导下接受了早期训练。这篇文章首先提供了Mulcaster的主要教学文本《Positions》(1581)的阅读,然后将其关键概念应用于斯宾塞诗歌第一卷的阅读,并双重强调了诗歌的主人公Redcrosse,以及读者与文本的互动。这些概念中最重要的是看似无害的术语“环境”。除了在法庭演讲学中是一个关键概念外,对Mulcaster来说,“掌控环境”是对课堂上学习的经典文本采取谨慎方法的一种速记。这篇文章认为,同样的策略在这首诗中得到了实施。读者必须注意环境,以及它们的修辞、教学和神学内涵,这在很大程度上是由于书中公认的英雄雷德克罗斯显然没有能力做到这一点。此外,作为修辞内涵的一个子类,名字在诗歌中的使用也有必要进行评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To “maister the circumstance”: Mulcaster’s Positions and Spenser’s Faerie Queene
This essay argues that the prominent Elizabethan pedagogue Richard Mulcaster exerted a considerable influence on the narrative strategies of his pupil Edmund Spenser, especially as seen in Book I of The Faerie Queene. Where recent scholars such as Jeff Dolven and Andrew Wallace have maintained that Spenser was critical of many of the humanist practices they deem prevalent in the Elizabethan classroom, this study shows that such critique of humanism was already a basic part of the reformed curriculum at Merchant Taylors’ School, where Spenser received his early training under Mulcaster. The essay first provides a reading of Mulcaster’s main pedagogical text, Positions (1581), and then applies its key concepts to a reading of Book I of Spenser’s poem with a double emphasis on the hero of the poem, Redcrosse, and on the reader’s interaction with the text. The most important of these concepts is the seemingly innocuous term “circumstance.” Aside from being a key concept within forensic oratory, to “maister the circumstance” is for Mulcaster a shorthand for a cautious approach to the classical text studied in his classroom. The same strategy, this essay argues, is implemented in the poem. The reader must pay attention to the circumstances, with their rhetorical, pedagogical, and theological connotations, triggered in large part by the apparent inability of Redcrosse, the putative hero of the book, to do so. Additionally, as a subcategory of the rhetorical connotations, there is also the need to assess the use of names in the poem.
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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